"Mass in B Minor, BWV 232 / Credo: Et in Spiritum Sanctum" by Johann Sebastian Bach, Lloyd Morgan, English Baroque Soloists, John Eliot Gardiner, Sophia McKenna, Valerie Darke was released on January 1, 1985. With this song being about 5 minutes long, at 5:28, "Mass in B Minor, BWV 232 / Credo: Et in Spiritum Sanctum" by Johann Sebastian Bach, Lloyd Morgan, English Baroque Soloists, John Eliot Gardiner, Sophia McKenna, Valerie Darke is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 27 in Bach, J.S.: Mass In B Minor BWV 232 by Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Mass in B Minor, BWV 232 / Credo: Et in Spiritum Sanctum is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass in B Minor, BWV 232 / Credo: Et in Spiritum Sanctum by Johann Sebastian Bach, Lloyd Morgan, English Baroque Soloists, John Eliot Gardiner, Sophia McKenna, Valerie Darke is Andante (at a walking pace), since this song has a tempo of 86 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gloria in D Major, R. 589 - G.Ricordi 1970, Ed. Malipiero: X. Qui sedes ad dexteram Patris | Antonio Vivaldi, Catherine Denly, The English Concert, Trevor Pinnock, The English Concert Choir | D♭ Major | 3 | 3B | 95 BPM | ||
Vespers of 1610: Nisi Dominus | Claudio Monteverdi, The Sixteen, Harry Christophers | B♭ Major | 1 | 6B | 87 BPM | ||
Erfreut euch, ihr Herzen (Chorus) | Johann Sebastian Bach, Daniel Taylor, James Gilchrist, Stephen Varcoe, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 3 | 3B | 143 BPM | ||
Stabat Mater: VIII. Virgo virginum | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Allegro | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
Matthäus-Passion, BWV 244, Erster Teil: 18. Evangelista, Jesus "Da kam Jesus mit ihnen zu einem Hofe" | Johann Sebastian Bach, Collegium Vocale Gent, Franz-Joseph Selig, Philippe Herreweghe, Ian Bostridge | D Major | 0 | 10B | 79 BPM | ||
Vivaldi: Magnificat in G Minor, RV 610: III. Et misericordia | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | E Minor | 2 | 9A | 100 BPM | ||
Salve Regina in F minor: 3. Eia ergo, advocata nostra | Giovanni Battista Pergolesi, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | F♯ Minor | 2 | 11A | 78 BPM | ||
Vesperae solennes de Dominica, K. 321: I. Dixit | Wolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick Peire | C Major | 2 | 8B | 116 BPM | ||
Der Herr ist König, TWV 8:6: II. No. 5, Chorus: Die Töchter Zion sind fröhlich | Georg Philipp Telemann, Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan | E♭ Minor | 2 | 2A | 74 BPM |