"Vespers of 1610: Nisi Dominus" by Claudio Monteverdi, The Sixteen, Harry Christophers was released on September 29, 2014. With this song being about 5 minutes long, at 4:48, "Vespers of 1610: Nisi Dominus" by Claudio Monteverdi, The Sixteen, Harry Christophers is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Claudio Monteverdi, The Sixteen, Harry Christophers's "Monteverdi: Vespers of 1610" album is number 8 out of 37. Vespers of 1610: Nisi Dominus is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vespers of 1610: Nisi Dominus by Claudio Monteverdi, The Sixteen, Harry Christophers to be Andante (at a walking pace) because the track has a tempo of 87 テンポ, a half-time of 44テンポ, and a double-time of 174 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vespers of 1610, Magnificat (Low): Gloria Patri | Claudio Monteverdi, Jeremy Budd, Mark Dobell, Harry Christophers, The Sixteen | D Minor | 0 | 7A | 68 BPM | ||
Eight Partsongs, Op. 119: No. 7, Chillingham | Charles Villiers Stanford, Mary Elizabeth Coleridge, The Sixteen, Harry Christophers | A♭ Major | 0 | 4B | 111 BPM | ||
Requiem, Op. 9: III. Domine Jesu Christe (1961 Version) | Maurice Duruflé, Orchestra of the Age of Enlightenment, Stephen Cleobury, Choir of King's College, Cambridge | D Major | 1 | 10B | 137 BPM | ||
Lay a Garland | Robert Pearsall, The Sixteen, Harry Christophers | D Major | 1 | 10B | 131 BPM | ||
Purcell: Funeral Sentences: Thou Know'st, Lord, Z. 58C (Second Verse) | Henry Purcell, Philip Ledger, Choir of King's College, Cambridge, The Philip Jones Brass Ensemble | A♭ Major | 3 | 4B | 124 BPM | ||
Vespers of 1610: Deus in adiutorium meum intende | Claudio Monteverdi, Mark Dobell, Harry Christophers, The Sixteen | D Major | 1 | 10B | 68 BPM | ||
Tallis: Lamentations of Jeremiah I - 2. Aleph | The Tallis Scholars, Peter Phillips | F Minor | 0 | 4A | 83 BPM | ||
Purcell : King Arthur : Act 5 "Fairest Isle" [Soprano] | William Christie | A♭ Major | 0 | 4B | 127 BPM | ||
Vespers of 1610: Laudate pueri | Claudio Monteverdi, Grace Davidson, Charlotte Mobbs, Mark Dobell, Simon Berridge, Jeremy Budd, Ben Davies, Eamonn Dougan, Harry Christophers, The Sixteen | G Major | 1 | 9B | 72 BPM | ||
Allegri: Miserere - 11. Tunc Acceptabis | The Tallis Scholars, Peter Phillips | G Minor | 0 | 6A | 89 BPM |