"Purcell : King Arthur : Act 5 "Fairest Isle" [Soprano]" by William Christie was released on 1995. With this song being about 5 minutes long, at 4:45, "Purcell : King Arthur : Act 5 "Fairest Isle" [Soprano]" by William Christie is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 41 in the song's album "Purcell : King Arthur". In this album, this song's track order is #36. Based on our statistics, Purcell : King Arthur : Act 5 "Fairest Isle" [Soprano]'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Purcell : King Arthur : Act 5 "Fairest Isle" [Soprano] by William Christie having a テンポ of 127 with a half-time of 64 テンポ and a double-time of 254 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
The music key of this track is A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Giulio Cesare, 'Julius Caesar' HWV17, ACT 1: Son nata a lagrimar | George Frideric Handel, John Nelson/Emmanuelle Haïm/Stephanie Blythe/David Daniels/Martin Isepp/Ensemble Orchestral de Paris, John Nelson | E Minor | 1 | 9A | 82 BPM | ||
Psalmen Davids samt etlichen Moteten und Concerten, Op. 2, SWV 22-47: Wie lieblich sind deine Wohnungen, SWV 29, "Psalm 84" | Heinrich Schütz, The Monteverdi Choir, Edmund Connolly, John Eliot Gardiner | G Minor | 1 | 6A | 73 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Magnificat: Et misericordia | Giovanni Battista Pergolesi, Elizabeth Vaughan, Dame Janet Baker, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, Sir David Willcocks | G Minor | 1 | 6A | 116 BPM | ||
Messiah, HWV 56: Part 3: Worthy is the Lamb (Chorus) | Nikolaus Harnoncourt | D♭ Major | 3 | 3B | 125 BPM | ||
Les Indes galantes, Nouvelle Entrée, Scène 2 - Scène 3: "Nous suivons sur nos bords..." (Damon, Don Alvar, Adario) | Jean-Philippe Rameau, Bernard Deletré, Howard Crook, Claron McFadden, Les Arts Florissants, William Christie | F♯ Minor | 0 | 11A | 84 BPM | ||
Euridice, Prologo - La Tragedia: Io che d'alti sospir | Jacopo Peri, Ensemble Albalonga, Aníbal E. Cetrangolo, Sylva Pozzer | F Major | 0 | 7B | 98 BPM | ||
Dido and Aeneas / Act 2: "Stay, Prince...Jove's commands shall be obey'd" | Henry Purcell, Derek Lee Ragin, Thomas Allen, English Chamber Orchestra, Raymond Leppard | A Minor | 0 | 8A | 79 BPM | ||
Mass in B Minor, BWV 232: Kyrie eleison (Chorus) | Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | A♭ Major | 0 | 4B | 130 BPM | ||
Marche de Timbales | Philidor le Cadet, Marie-Ange Petit, Les Arts Florissants, William Christie | A Major | 2 | 11B | 80 BPM |