"Paulus: II. Teil: Nr. 42 Chor "Sehet, welch eine Liebe"" by Felix Mendelssohn, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale was released on 1996. The duration of Paulus: II. Teil: Nr. 42 Chor "Sehet, welch eine Liebe" is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Paulus: II. Teil: Nr. 42 Chor "Sehet, welch eine Liebe"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe's "Mendelssohn: Paulus" album is number 21 out of 45. On top of that, France appears to be the country where this track was created. Paulus: II. Teil: Nr. 42 Chor "Sehet, welch eine Liebe" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Paulus: II. Teil: Nr. 42 Chor "Sehet, welch eine Liebe" by Felix Mendelssohn, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale to be Andante (at a walking pace) because the track has a tempo of 80 テンポ, a half-time of 40テンポ, and a double-time of 160 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater pour dix voix et basse continue: III. Quis non posset | Domenico Scarlatti, Vox Luminis, Lionel Meunier | F♯ Minor | 1 | 11A | 74 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 3. Oro supplex et acclinis | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen | B Minor | 1 | 10A | 139 BPM | ||
Missa "Assumpta Est Maria", H. 11: Missa "Assumpta Est Maria", H. 11: IX. Domine salvum | Marc-Antoine Charpentier, Les Arts Florissants, William Christie | D♭ Minor | 3 | 12A | 93 BPM | ||
Requiem in D Minor, WAB 39: I. Introitus. Requiem | Anton Bruckner, RIAS Kammerchor, Akademie für Alte Musik Berlin, Łukasz Borowicz | B Minor | 1 | 10A | 166 BPM | ||
Der Sommer: "Der munt're Hirt versammelt nun" | Joseph Haydn, René Jacobs, Freiburger Barockorchester, Marlis Petersen, Dietrich Henschel | F Major | 1 | 7B | 78 BPM | ||
German Mass, D.872: Appendix: The Lord's Prayer | Franz Schubert, Vienna Boys' Choir, Chorus Viennensis, Rudolf Scholz, Wiener Symphoniker, Uwe Christian Harrer | D♭ Major | 3 | 3B | 112 BPM | ||
Der Frühling: "Komm, holder Lenz!" | Joseph Haydn, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | C Minor | 0 | 5A | 69 BPM | ||
Missa solemnis in D major, Op. 123: III. Credo: Amen. Grave | Ludwig van Beethoven, Jordi Savall, Le Concert Des Nations | D Major | 1 | 10B | 74 BPM | ||
Missa Dolorosa: I. Kyrie | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Alceste, Wq. 44 (Excerpts): Parez vos fronts de fleurs nouvelles | Christoph Willibald Gluck, Bavarian Radio Symphony Orchestra, Serge Baudo, Jessye Norman | G Major | 0 | 9B | 84 BPM |