Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 3. Oro supplex et acclinis
- テンポ
- 139
- キー
- B Minor
- キャメロットミュージックキー
- 10A
Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 3. Oro supplex et acclinis - Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen 情報
- 音響性
- 99%
- ダンサビリティ
- 15%
- エネルギー
- 8%
- 手段性
- 51%
- 活気
- 16%
- ラウドネス
- 64%
- 話し言葉
- 4%
- 価数
- 4%
- 人気
- 4%
- ラウドネス
- -21.498 dB
まとめ
"Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 3. Oro supplex et acclinis" by Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen was released on April 3, 2020. The duration of Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 3. Oro supplex et acclinis is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 3. Oro supplex et acclinis's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Niccolò Jommelli, Il Gardellino, Peter Van Heyghen's "Jommelli: Missa pro Defunctis, Libera me & Miserere" album is number 7 out of 50. Based on our statistics, Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 3. Oro supplex et acclinis's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 3. Oro supplex et acclinis テンポ
We consider the tempo marking of Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 3. Oro supplex et acclinis by Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen to be Allegro (fast, quick, and bright) because the track has a tempo of 139 テンポ, a half-time of 70テンポ, and a double-time of 278 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 3. Oro supplex et acclinis キー
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Missa pro Defunctis in E-Flat Major, HocJ A1.3: V. Sanctus, 1. Sanctus, Dominus Deus | Niccolò Jommelli, Gudrun Sidonie Otto, Il Gardellino, Helen Charlston, Daniel Johannsen, Peter Van Heyghen | B♭ Minor | 2 | 3A | 77 BPM | |
 | Kyrie Eleison, RV. 587: Coro "Kyrie eleison" I | Antonio Vivaldi, Les Arts Florissants, Paul Agnew | B Minor | 1 | 10A | 75 BPM | |
 | Concerto for 2 Oboes da caccia, 2 Violas, 2 Bassoons and Continuo in G Major, FaWV L:G11: II. Air | Johann Friedrich Fasch, Il Gardellino | D♭ Major | 0 | 3B | 78 BPM | |
 | Misa Tango: I. Kyrie | MartÍn Palmeri, Astoria, Philippe Gérard | G Minor | 0 | 6A | 112 BPM | |
 | Concerto grosso for Strings and basso continuo in A Minor, Op. 5/4: IV. Minuet gratioso | Giuseppe Sammartini, Les Muffatti, Peter Van Heyghen | F♯ Major | 1 | 2B | 154 BPM | |
 | Biber: Requiem a 15 in A Major: III. Sequenz | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 0 | 6B | 139 BPM | |
 | Il Vologeso, Act I: Act I Scene 8: Aria: Tutti di speme al core parlano (Lucilla) | Niccolò Jommelli, György Bognár, Stuttgart Chamber Orchestra, Helene Schneiderman, Detlef Bratschke, Frieder Bernius | D Major | 1 | 10B | 130 BPM | |
 | Ich bin der Welt abhanden gekommen (arr. M. Ponseele for oboe da caccia and strings): 5 Ich bin der Welt abhanden gekommen (arr. for oboe da caccia and strings) | Gustav Mahler, Marcel Ponseele, Il Gardellino | D Major | 1 | 10B | 95 BPM | |
 | Dido and Aeneas, Z. 626, Act II: The Grove - Thanks to these lonesome vales | Henry Purcell, La Nuova Musica, David Bates, Giulia Semenzato | F♯ Minor | 2 | 11A | 126 BPM | |
 | Die Auferstehung und Himmelfahrt Jesu, H. 777, Wq. 240, Pt. 1: No. 11. Aria, "Ich folge dir, verklärter Held" (Tenor) | Carl Philipp Emanuel Bach, Karl Wilhelm Ramler, Il Gardellino, Bart Van Reyn, Kieran Carrel | D Major | 4 | 10B | 124 BPM |
- ISRC
- This song does not have an ISRC.
- レコードレーベル
- L-M Records/RCA Records