"Il Vologeso, Act I: Act I Scene 8: Aria: Tutti di speme al core parlano (Lucilla)" by Niccolò Jommelli, György Bognár, Stuttgart Chamber Orchestra, Helene Schneiderman, Detlef Bratschke, Frieder Bernius was released on January 1, 2016. Since Il Vologeso, Act I: Act I Scene 8: Aria: Tutti di speme al core parlano (Lucilla) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Niccolò Jommelli, Jorg Waschinski, Lothar Odinius, Gabriele Rossmanith, Stuttgart Chamber Orchestra, Frieder Bernius's "Jommelli: Il Vologeso" album is number 14 out of 53. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Il Vologeso, Act I: Act I Scene 8: Aria: Tutti di speme al core parlano (Lucilla)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Il Vologeso, Act I: Act I Scene 8: Aria: Tutti di speme al core parlano (Lucilla) by Niccolò Jommelli, György Bognár, Stuttgart Chamber Orchestra, Helene Schneiderman, Detlef Bratschke, Frieder Bernius to be Allegro (fast, quick, and bright) because the track has a tempo of 130 テンポ, a half-time of 65テンポ, and a double-time of 260 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Armide, LWV 71, Prologue: Entrée (I) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Major | 1 | 7B | 139 BPM | ||
Ave maris stella | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Elizabeth Nurse, Colin Danskin, Daniel Tate | B Minor | 2 | 10A | 71 BPM | ||
San Giovanni Battista: Deste un tempo | Alessandro Stradella, Filippo Mineccia, Nereydas, Javier Ulises Illán | D Major | 2 | 10B | 116 BPM | ||
Stabat Mater: XII. Fac ut animae donatur | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: V. Sanctus, 2. Hosanna | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | D Major | 2 | 10B | 110 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Anime avventurose" - "Torna o bella" (Orfeo, Coro) | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore Choir, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Vespro della Beata Vergine, SV 206: I. Deus in adjutorium | Claudio Monteverdi, Netherlands Chamber Choir, Concerto Vocale, René Jacobs | E Minor | 1 | 9A | 70 BPM | ||
Magnificat in B flat major: Sicut erat in principio | Francesco Durante, Thomas Hengelbrock | A Major | 2 | 11B | 125 BPM | ||
Missa Sanctae Caeciliae, ZWV 1: Gloria in excelsis Deo | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | F♯ Major | 3 | 2B | 120 BPM | ||
Dixit Dominus in G: IV. Dominus a Dextris | Niccolò Jommelli, Haydn Baroque Chamber Orchestra, Tiziano Morelli Gidoni, Baltimore Baroque Choir, Maria Elena Borracini | B Minor | 2 | 10A | 103 BPM |