"Misa Tango: I. Kyrie" by MartÍn Palmeri, Astoria, Philippe Gérard was released on June 4, 2021. Since Misa Tango: I. Kyrie is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in MartÍn Palmeri, The New Baroque Times Voices, Philippe Gérard, Astoria's "Misa Tango" album is number 1 out of 9. On top of that, Belgium appears to be the country where this track was created. In terms of popularity, Misa Tango: I. Kyrie is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Misa Tango: I. Kyrie by MartÍn Palmeri, Astoria, Philippe Gérard to be Moderato (at a moderate speed) because the track has a tempo of 112 テンポ, a half-time of 56テンポ, and a double-time of 224 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Libera me in C Minor, HocJ E.2: IV. Tremens factus sum ego | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Peter Van Heyghen | D Major | 1 | 10B | 126 BPM | ||
La Favolla d'Apollo: 11. Dal vago e bel sereno a 6 "La Pellegrina" | Cristofano Malvezzi, Ensemble Pygmalion, Raphael Pichon | D Minor | 1 | 7A | 77 BPM | ||
Handel: Theodora, HWV 68, Act 2: "To Thee Thy Glorious Son of Worth" (Theodora, Didymus) | George Frideric Handel, Jupiter, Thomas Dunford, Iestyn Davies, Lea Desandre | E Minor | 1 | 9A | 59 BPM | ||
The First Booke of Songes: No. 9, Go crystall teares | John Dowland, Andreas Scholl, Concerto di Viole, Julian Behr | A♭ Minor | 1 | 1A | 106 BPM | ||
Dies iræ, S. 31: Dies iræ | Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé | B Major | 2 | 1B | 91 BPM | ||
Te Deum "de Lyon": XI. Te ergo quæsumus famulis tuis subveni | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM | ||
Concierto para quinteto | Astor Piazzolla, Astoria, Christophe Delporte | E Minor | 2 | 9A | 81 BPM | ||
Missa in D-Dur, KV194: Agnus Dei | Chor und Orchester von St. Augustin, Klemens Sander, Cornelia Horak, Andreas Pixner, Martina Steffl, Alexander Kaimbacher | D Major | 1 | 10B | 99 BPM | ||
Missa Sancti Spiritus, ZWV 4: Et unam Sanctam | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | B Major | 3 | 1B | 98 BPM | ||
Missa Paschalis, ZWV 7: Credo. Et resurrexit | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | A♭ Minor | 1 | 1A | 103 BPM |