"Libera me in C Minor, HocJ E.2: IV. Tremens factus sum ego" by Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Peter Van Heyghen was released on April 3, 2020. With Libera me in C Minor, HocJ E.2: IV. Tremens factus sum ego being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Niccolò Jommelli, Il Gardellino, Peter Van Heyghen's "Jommelli: Missa pro Defunctis, Libera me & Miserere" album is number 26 out of 50. Based on our statistics, Libera me in C Minor, HocJ E.2: IV. Tremens factus sum ego's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Libera me in C Minor, HocJ E.2: IV. Tremens factus sum ego by Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Peter Van Heyghen to be Allegro (fast, quick, and bright) because the track has a tempo of 126 テンポ, a half-time of 63テンポ, and a double-time of 252 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Temistocle: III. Allegro assai | Niccolò Jommelli, Orchestra da Camera di Napoli, Enzo Amato | D Major | 1 | 10B | 84 BPM | ||
When Saul was king: I. When Saul was king over us | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | A Major | 1 | 11B | 170 BPM | ||
Das befreite Israel, TWV 6: No. 13. Chor, "Der Herr wird König sein" | Georg Philipp Telemann, Justus Friedrich Wilhelm Zachariae, Il Gardellino, Peter Van Heyghen | F♯ Major | 3 | 2B | 79 BPM | ||
Beatus vir, ZWV 75: Gloria Patri - After Psalm 111 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Minor | 1 | 1A | 103 BPM | ||
Sonata da camera in D Major, Op. 5, No. 1, "Echo": II. Allegro moderato | Johann Gottlieb Janitsch, Il Gardellino | D♭ Major | 1 | 3B | 131 BPM | ||
Missa brevis in D Major, K.194: V. Benedictus | Wolfgang Amadeus Mozart, Maria Zedelius, Hilke Helling, Klaus Schneider, Klaus Mertens, Kölner Kammerchor, Collegium Classicum Köln, Peter Neumann | F Major | 0 | 7B | 91 BPM | ||
Dixit Dominus, ZWV 66: De torrente - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A Minor | 2 | 8A | 127 BPM | ||
All'imperio d'Amore: 8. Non havea Febo ancora a voce sola | Antonio Brunelli, Ensemble Pygmalion, Renato Dolcini, Raphael Pichon | G Major | 4 | 9B | 133 BPM | ||
Messe de requiem: II. Kyrie | André Campra, Philippe Herreweghe, La Chapelle Royale, Orchestre de La Chapelle Royale | E♭ Minor | 2 | 2A | 111 BPM | ||
Mori, mi dici (I) | Alessandro Scarlatti, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM |