On November 26, 2015, the song "Dixit Dominus, ZWV 66: De torrente - After Psalm 109" was released by Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists. The duration of Dixit Dominus, ZWV 66: De torrente - After Psalm 109 is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Dixit Dominus, ZWV 66: De torrente - After Psalm 109's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists's "Jan Dismas Zelenka: Psalmi Vespertini I" album is number 4 out of 29. On top of that, Czechia appears to be the country where this track was created. Based on our statistics, Dixit Dominus, ZWV 66: De torrente - After Psalm 109's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Dixit Dominus, ZWV 66: De torrente - After Psalm 109 by Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists to be Allegro (fast, quick, and bright) because the track has a tempo of 127 テンポ, a half-time of 64テンポ, and a double-time of 254 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Miserere in C Minor, ZWV 57: Gloria Patri I (Soprano) | Jan Dismas Zelenka, Mária Zádori, Rheinische Kantorei, Das Kleine Konzert, Hermann Max | E♭ Minor | 1 | 2A | 86 BPM | ||
Magnificat in D Major, ZWV 108: Amen | Jan Dismas Zelenka, Katia Plaschka, Anne Bierwirth, Marburg Bach Choir, Arpa festante, L', Nicolo Sokoli | D♭ Major | 1 | 3B | 65 BPM | ||
Messe h-Moll, BWV 232: II. Kyrie "Christe eleison I" | Johann Sebastian Bach, Orchester der J. S. Bach-Stiftung, Julia Doyle, Rudolf Lutz | D♭ Major | 2 | 3B | 75 BPM | ||
Israel in Egypt, HWV 54, Pt 2. "Exodus": II. And the children of Israel sighed (Solo & Chorus) | George Frideric Handel, Apollo's Fire, Jeannette Sorrell, Apollo's Singers, Daniel Moody | B Minor | 2 | 10A | 89 BPM | ||
Stabat Mater, P. 77: I. Stabat mater dolorosa | Giovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Laudate pueri, HWV 237: VI. Suscitans a terra | George Frideric Handel, Carolyn Sampson, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (1) Coro: Wachet Auf, Ruft Uns Die Stimme | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Johann Sebastian Bach, Sytse Buwalda, Nico Van Der Meel, Pieter Jan Leusink | D Major | 1 | 10B | 86 BPM | ||
Dies iræ, S. 31: Quantus tremor est futurus | Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé | B Minor | 2 | 10A | 91 BPM | ||
Stabat Mater: III. Quis est home | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (4) Choral (Tenore): Zion Hört Die Wächter Singen | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Nico Van Der Meel, Johann Sebastian Bach, Pieter Jan Leusink | D Major | 0 | 10B | 166 BPM |