George Frideric Handel, Carolyn Sampson, Akademie für Alte Musik Berlin, Justin Doyle made "Laudate pueri, HWV 237: VI. Suscitans a terra" available on March 29, 2024. The duration of Laudate pueri, HWV 237: VI. Suscitans a terra is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Laudate pueri, HWV 237: VI. Suscitans a terra's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle's "Handel: Dixit Dominus, Laudate pueri, Nisi Dominus" album is number 21 out of 23. On top of that, France appears to be the country where this track was created. In terms of popularity, Laudate pueri, HWV 237: VI. Suscitans a terra is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Laudate pueri, HWV 237: VI. Suscitans a terra by George Frideric Handel, Carolyn Sampson, Akademie für Alte Musik Berlin, Justin Doyle to be Andante (at a walking pace) because the track has a tempo of 108 テンポ, a half-time of 54テンポ, and a double-time of 216 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 3. Oro supplex et acclinis | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen | B Minor | 1 | 10A | 139 BPM | ||
Concerto grosso in F Major, Op. 6, No. 2 HWV 320: IV. Allegro, ma non troppo | George Frideric Handel, Simon Standage, Elizabeth Wilcock, Anthony Pleeth, David Reichenberg, Sophia McKenna, Jeremy Ward, Robert Woolley, Trevor Pinnock, The English Concert | D Minor | 2 | 7A | 134 BPM | ||
Te Deum "de Lyon": III. Te gloriosus apostolorum chorus | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Eugénie Lefebvre | B♭ Major | 4 | 6B | 106 BPM | ||
Kuhnau: Magnificat in C Major: V. Chorus. "Quia fecit" | Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei | D♭ Major | 2 | 3B | 109 BPM | ||
Requiem in E-Flat Minor: XI. Quia pius es - XII. Requiem aeternam | Józef Kozłowski, Singapore Symphony Orchestra, Hans Graf, Singapore Symphony Chorus & Youth Choir, Olga Peretyatko, Olesya Petrova, Boris Stepanov | E♭ Major | 0 | 5B | 167 BPM | ||
Handel: Solomon, HWV 67, Act 3: Air. "Ev'ry Sight These Eyes Behold" (Queen of Sheba) | George Frideric Handel, Kathleen Battle, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 2 | 7B | 118 BPM | ||
Ode for the Birthday of Queen Anne (Eternal source of light divine): 1. Eternal source of light divine | George Frideric Handel, Choir of King's College, Cambridge, Cambridge, Academy of Ancient Music, Stephen Cleobury, Susan Gritton, Alastair Ross, Daniel Hyde, Robin Blaze, Pavlo Beznosiuk, Michael George | D♭ Major | 1 | 3B | 172 BPM | ||
Nach dir, Herr, verlanget mich, BWV 150: Nach dir, Herr, verlanget mich, BWV 150: Coro | Johann Sebastian Bach, Philippe Pierlot, Stephan MacLeod, Ricercar Consort, Katharine Fuge, Carlos Mena, Jan Kobow | G Minor | 0 | 6A | 66 BPM | ||
Laudate pueri, HWV 237: II. Sit nomen Domini | George Frideric Handel, Carolyn Sampson, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
Filen, mio caro bene, HanS 263: II. Filen, mio caro bene, se verra fe t'osservo (Recitativo) | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700, Helena Rasker | E Minor | 2 | 9A | 71 BPM |