"Missa Sancti Spiritus, ZWV 4: Et unam Sanctam" by Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora was released on February 14, 2022. With Missa Sancti Spiritus, ZWV 4: Et unam Sanctam being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Zelenka: Missa Sancti Spiritus - Litanie di Vergine Maria by Jan Dismas Zelenka, Adam Viktora, Ensemble Inégal. The song's track number on the album is #13 out of 29 tracks. Based on our data, Czechia was the country where this track was produced or recorded. In terms of popularity, Missa Sancti Spiritus, ZWV 4: Et unam Sanctam is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Missa Sancti Spiritus, ZWV 4: Et unam Sanctam by Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora has a tempo of 98 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Missa Sancti Spiritus, ZWV 4: Et unam Sanctam being at 98 テンポ, the half-time would be 49 テンポ with a double-time of 196 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Johannes-Passion, BWV 245.1: 16. Recitativo: Da führeten sie Jesum | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Tobias Berndt, Daniel Ochoa | D Major | 2 | 10B | 172 BPM | ||
Johannes-Passion, BWV 245.1: 35. Aria: Zerfließe, mein Herze | Johann Sebastian Bach, Andreas Reize, Akademie für Alte Musik Berlin, Leopold Görsch | D Major | 2 | 10B | 172 BPM | ||
Wer ist der, so von Edom kömmt BWV 1167: I. No. 39, Der Gerechte kömmt um, BWV 1149 | Carl Heinrich Graun, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki | E♭ Minor | 2 | 2A | 74 BPM | ||
Johannes-Passion, BWV 245.1: 21. Recitativo: Und die Kriegsknechte flochten eine Krone | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Tobias Berndt, Daniel Ochoa | D Major | 2 | 10B | 172 BPM | ||
Ricercar 13 | Giulio Segni Da Modena, Gawain Glenton, Silas Wollston | A Major | 0 | 11B | 77 BPM | ||
Stabat Mater in G Minor: III. Quis est homo | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | D♭ Minor | 1 | 12A | 86 BPM | ||
Meine Seel erhebt den Herren, BWV 10: Chorale: Lob un Preis sei Gott dem Vater und dem Sohn | Johann Sebastian Bach, Lisa Larsson, Daniel Taylor, James Gilchrist, Stephen Varcoe, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | A Major | 2 | 11B | 0 BPM | ||
Te deum, LWV 55: XIII. Dignare Domine die isto | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Te Deum: IV. Patrem immensae maiestatis | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
VII. Ei nun, mein Gott, so fall ich (Recitative & Choral) | Johann Sebastian Bach, Christoph Spering, Das Neue Orchester, Chorus Musicus Köln, Erika Tandiono, Sofia Pavone, Daniel Johannsen, Tobias Berndt | A♭ Major | 2 | 4B | 92 BPM |