"Te Deum: IV. Patrem immensae maiestatis" by Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music was released on May 24, 2024. The duration of Te Deum: IV. Patrem immensae maiestatis is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Te Deum: IV. Patrem immensae maiestatis's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music's "How Are The Mighty Fallen: Choral Music by Giovanni Bononcini" album is number 5 out of 27. On top of that, United Kingdom appears to be the country where this track was created. Te Deum: IV. Patrem immensae maiestatis is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Te Deum: IV. Patrem immensae maiestatis by Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music to be Adagio (slowly with great expression) because the track has a tempo of 71 テンポ, a half-time of 36テンポ, and a double-time of 142 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messa Delli Apostoli: Kyrye II | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
Credo, ZWV 32: I. Credo | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Vaclav Luks | D♭ Minor | 3 | 12A | 110 BPM | ||
Te deum, LWV 55: XIV. Miserere nostri Domine, miserere nostri | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Miserere mei Deus | William Byrd, Contrapunctus, Owen Rees | E Minor | 1 | 9A | 76 BPM | ||
Biber: Requiem a 15 in A Major: I. Introitus | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 1 | 6B | 138 BPM | ||
Israel in Egypt, HWV 54: Part III, Moses Song: The earth swallowed them (Chorus) | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 108 BPM | ||
Plorans plorabit | William Byrd, Contrapunctus, Owen Rees | G Minor | 2 | 6A | 78 BPM | ||
Missa in D-Dur, KV194: Kyrie | Chor und Orchester von St. Augustin, Alexander Kaimbacher, Klemens Sander, Cornelia Horak, Martina Steffl, Andreas Pixner | D Major | 2 | 10B | 91 BPM | ||
Purcell: The Fairy Queen, Z. 629, Act III: Duet with Chorus. "A Thousand, Thousand Ways" | Henry Purcell, Amsterdam Baroque Orchestra, Ton Koopman, Amsterdam Baroque Choir, Donald Bentvelsen, Marcel Reyans | B Minor | 0 | 10A | 78 BPM | ||
Messa di Gloria: III. Laudamus | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Orfeó Català, Pablo Larraz | D Major | 1 | 10B | 89 BPM |