"Dies iræ, S. 31: Dies iræ" by Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé was released on February 4, 2022. With Dies iræ, S. 31: Dies iræ being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé's "Michel-Richard de Lalande: Grands Motets, Dies irae, Miserere, Veni creator" album is number 1 out of 38. On top of that, France appears to be the country where this track was created. In terms of popularity, Dies iræ, S. 31: Dies iræ is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dies iræ, S. 31: Dies iræ by Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé to be Andante (at a walking pace) because the track has a tempo of 91 テンポ, a half-time of 46テンポ, and a double-time of 182 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messe de Minuit, H. 9: Gloria | Marc-Antoine Charpentier, Sébastien Daucé, Ensemble Corrrespondances, Randol Rodriguez, Etienne Bazola, Marie-Frédérique Girod, Caroline Weynants | C Major | 2 | 8B | 94 BPM | ||
Lauda Jerusalem (Psalm 147), R.609 | Antonio Vivaldi, Margaret Marshall, Ann Murray, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Jeffrey Tate, Alastair Ross | D Major | 3 | 10B | 105 BPM | ||
Abdelazer, Z.570: Air - Jig - Hornpipe - Air | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 2 | 11A | 172 BPM | ||
Psyche, Act V Scene 1: To what great distresses (Devils & Furies) | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
Grandes Antiennes O de l'Avent, H. 36-43: Or nous dites Marie (Ballard) | Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé, Violaine Le Chenadec | G Minor | 2 | 6A | 74 BPM | ||
Der Herr ist mit mir, BuxWV 15 | Dietrich Buxtehude, Anima Eterna, Collegium Vocale, Jos Van Immerseel | C Minor | 1 | 5A | 72 BPM | ||
Dixit Dominus, RV 595: Tecum principium: Allegro | Antonio Vivaldi, Jane Archibald, Michele de Boer, Nils Brown, Anita Krause, Peter Mahon, Giles Tomkins, Aradia Chorus, Aradia Ensemble, Kevin Mallon | D♭ Major | 2 | 3B | 142 BPM | ||
Super flumina Babilonis, S. 13: II. In salicibus | Michel Richard Delalande, Sandrine Piau, Arlette Steyer, Simon Berridge, Jean-Paul Fouchécourt, Jérôme Corréas, Jean-claude Saragosse, Les Arts Florissants, William Christie | C Minor | 3 | 5A | 113 BPM | ||
Zefiro torna | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini | G Major | 1 | 9B | 131 BPM |