Henry Purcell, Academy of Ancient Music, Christopher Hogwood made "Abdelazer, Z.570: Air - Jig - Hornpipe - Air" available on January 1, 1990. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 135 in the song's album "Purcell: Theatre Music". In this album, this song's track order is #3. The popularity of Abdelazer, Z.570: Air - Jig - Hornpipe - Air is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Abdelazer, Z.570: Air - Jig - Hornpipe - Air by Henry Purcell, Academy of Ancient Music, Christopher Hogwood having a テンポ of 172 with a half-time of 86 テンポ and a double-time of 344 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sei Concerti in sette parti: No. 3 in F Major: V. Allegro | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | B Major | 5 | 1B | 82 BPM | ||
Alcyone Suite: Marche en rondeau | Marin Marais, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 2 | 12A | 129 BPM | ||
Sonata No. 4 in E Minor: II. Fuga Allegro | Johann Friedrich Meister, Musica Antiqua Köln | E♭ Minor | 4 | 2A | 103 BPM | ||
Flute Concerto No. 3 in C Major: III. Allegro assai | Frederick the Great, Konrad Hünteler, Cappella Coloniensis, Ulf Bjorlin | B Major | 1 | 1B | 129 BPM | ||
Purcell : King Arthur : Act 5 Chaconne | William Christie | E♭ Major | 0 | 5B | 125 BPM | ||
Timon of Athens, Masque: Curtain Tune on a Ground | Henry Purcell, Richard Hickox, Collegium Musicum 90 | F♯ Minor | 1 | 11A | 125 BPM | ||
Concerto No 5 in G minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Minor | 3 | 11A | 140 BPM | ||
Clarinet Concerto in A Major, K. 622: 2. Adagio | Wolfgang Amadeus Mozart, Antony Pay, Academy of Ancient Music, Christopher Hogwood | D Major | 0 | 10B | 79 BPM | ||
Trumpet Concerto in D Major, G. 28: I. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A♭ Major | 2 | 4B | 95 BPM | ||
Macbeth: End of Act 4 – The Earl of Douglas’s Lament | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 1 | 6B | 136 BPM |