Henry Purcell, Richard Hickox, Collegium Musicum 90 made "Timon of Athens, Masque: Curtain Tune on a Ground" available on May 1, 1994. The duration of Timon of Athens, Masque: Curtain Tune on a Ground is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Timon of Athens, Masque: Curtain Tune on a Ground's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Purcell: Dioclesian Masque & Timon of Athens Masque". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Timon of Athens, Masque: Curtain Tune on a Ground's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Timon of Athens, Masque: Curtain Tune on a Ground by Henry Purcell, Richard Hickox, Collegium Musicum 90 having a テンポ of 125 with a half-time of 62 テンポ and a double-time of 250 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Indes galantes, RCT 44, Première entrée, Le turc généreux, Scène VI: Air pour les esclaves africains | Jean-Philippe Rameau, Teodor Currentzis | F♯ Minor | 2 | 11A | 83 BPM | ||
Concerto No 6 in C minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | B Minor | 2 | 10A | 104 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846 | Luc Beauséjour | B Major | 3 | 1B | 78 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: I. Largo | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 1 | 1A | 88 BPM | ||
Sinfonia for 2 Oboes in G Major (Arr. A. Camden): I. Allegro | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | D Major | 3 | 10B | 105 BPM | ||
Concerto in D Minor: I. Andante e spiccato | Alessandro Marcello, Johann Sebastian Bach, Céline Moinet, L'Arte del mondo, Werner Ehrhardt | D Minor | 1 | 7A | 180 BPM | ||
Scarlatti, A: Concerto grosso in sette parti: No. 1 in F Minor: II. Allegro | Europa Galante, Fabio Biondi | E Minor | 3 | 9A | 80 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : V. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | B Minor | 1 | 10A | 87 BPM | ||
Pavanne in F-sharp minor | Louis Couperin, Richard Egarr | E Minor | 1 | 9A | 68 BPM | ||
Concerto Grosso in F Major, Op. 1, No. 1: I. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 137 BPM |