Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis made "Sinfonia for 2 Oboes in G Major (Arr. A. Camden): I. Allegro" available on November 8, 1995. The duration of Sinfonia for 2 Oboes in G Major (Arr. A. Camden): I. Allegro is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Sinfonia for 2 Oboes in G Major (Arr. A. Camden): I. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 21 in Albinoni: Oboe Concertos, Vol. 2 by Tomaso Albinoni, Alison Alty, Anthony Camden, John Georgiadis, London Virtuosi. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Sinfonia for 2 Oboes in G Major (Arr. A. Camden): I. Allegro is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Sinfonia for 2 Oboes in G Major (Arr. A. Camden): I. Allegro by Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis is Andante (at a walking pace), since this song has a tempo of 105 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in D Minor for Oboe, Strings and Continuo: II. Adagio | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso, Andrea Mion | D♭ Minor | 1 | 12A | 68 BPM | ||
Concerto for Trumpet and Orchestra, in E-flat Major Hob.VIIe: 1: I. Allegro | Franz Joseph Haydn, Raymond Leppard, Wynton Marsalis, English Chamber Orchestra | E♭ Major | 1 | 5B | 126 BPM | ||
Suite From Abdelzar: III. Minuet | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Major | 2 | 2B | 87 BPM | ||
Sonata Da Chiesa No. 4 in F Major, Op. 5: II. Allegro | Arcangelo Corelli, Ottavio Dantone, Stefano Montanari | E Major | 4 | 12B | 122 BPM | ||
Bach, CPE: Flute Concerto in A Minor, Wq. 166: I. Allegro assai | Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie Potsdam | A Minor | 2 | 8A | 87 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": III. Tempo di Minuetto | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 93 BPM | ||
Oboe Concerto in G Minor: Largo | Giovanni Benedetto Platti, Anthony Camden, City of London Sinfonia, Nicholas Ward | D Minor | 1 | 7A | 82 BPM | ||
Concerto in G Major for Flute, Strings, and Basso Continuo: II. Adagio | Johann Stamitz, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Major | 0 | 11B | 71 BPM | ||
Sinfonia in D Major: III. Scherzando: Allegro | Frederick the Great, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | D Major | 3 | 10B | 109 BPM | ||
Der Feldprediger: Freikorps-Marsch | Carl Millöcker, Czech Philharmonic Chamber Orchestra, John Georgiadis | A♭ Major | 4 | 4B | 128 BPM |