Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr made "Trumpet Concerto in D Major, G. 28: I. Allegro" available on October 16, 2001. The duration of Trumpet Concerto in D Major, G. 28: I. Allegro is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Trumpet Concerto in D Major, G. 28: I. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 32 in Baroque Trumpet (The Art Of The), Vol. 5 by Wasa Baroque Ensemble, Edward H. Tarr. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Trumpet Concerto in D Major, G. 28: I. Allegro is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Trumpet Concerto in D Major, G. 28: I. Allegro by Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr is Andante (at a walking pace), since this song has a tempo of 95 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio Sonata No. 1 in A Minor: II. Fuga | William Boyce, Simon Standage, Collegium Musicum 90 | A♭ Minor | 1 | 1A | 81 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Il trionfo d'amore, Introduzione: Introduzione: Sinfonia: Andante | Francisco António de Almeida, Os Músicos do Tejo, Marcos Magalhaes | A Major | 0 | 11B | 111 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Marie-Claire Alain | B Minor | 0 | 10A | 71 BPM | ||
Simphonia V: Chaconne in D Major | Louis-Nicolas Clérambault, Fabio Bonizzoni, La Risonanza | D♭ Major | 1 | 3B | 121 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Macbeth: End of Act 4 – The Earl of Douglas’s Lament | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 1 | 6B | 136 BPM | ||
Amadis de Gaule, W. G39: Act II Scene V: Gigue | Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | E Major | 1 | 12B | 132 BPM | ||
Sonata in G, BuxWV 271: I. Allegro | Dietrich Buxtehude, La Rêveuse | F♯ Major | 3 | 2B | 83 BPM | ||
Concerto Grosso No. 3 in F Major: IV. Largo | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | D Minor | 1 | 7A | 167 BPM |