Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé, Violaine Le Chenadec's 'Grandes Antiennes O de l'Avent, H. 36-43: Or nous dites Marie (Ballard)' came out on October 21, 2016. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 32 out of 44 in Charpentier: Pastorale de Noël – Grandes Antiennes O de l’Avent by Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Grandes Antiennes O de l'Avent, H. 36-43: Or nous dites Marie (Ballard) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Grandes Antiennes O de l'Avent, H. 36-43: Or nous dites Marie (Ballard) by Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé, Violaine Le Chenadec is Adagio (slowly with great expression), since this song has a tempo of 74 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnificat in D Major, BWV 243: X. Suscepit Israel | Johann Sebastian Bach, Philippe Pierlot, Ricercar Consort, Anna Zander, Carlos Mena, Hans-Jörg Mammel, Maria Keohane, Stephan MacLeod | D Minor | 7 | 7A | 109 BPM | ||
Membra Jesu nostri, BuxWV 75: Ad pedes. Sonata | Dietrich Buxtehude, RossoPorpora Ensemble, Walter Testolin | C Minor | 1 | 5A | 98 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air and chorus: As from the powers of sacred lays | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | G Minor | 2 | 6A | 74 BPM | ||
Pour un reposoir, H. 508: V. Genitori (Gregorian) | Marc-Antoine Charpentier, Les Dominos, Les Agrémens, Chœur De Chambre De Namur, Florence Malgoire | E Major | 0 | 12B | 109 BPM | ||
Venus & Adonis: Overture | John Blow, Orchestra of the Age of Enlightenment, René Jacobs | D♭ Minor | 3 | 12A | 116 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM | ||
Missa Tempore Quadragesimae, MH 553: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 0 | 11B | 77 BPM | ||
Basciami Mille Volte a 5 Voci | Luca Marenzio, Rinaldo Alessandrini, Concerto Italiano | G Minor | 1 | 6A | 81 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Paul Dombrecht | E♭ Minor | 1 | 2A | 114 BPM |