John Blow, Orchestra of the Age of Enlightenment, René Jacobs made "Venus & Adonis: Overture" available on 1999. The duration of Venus & Adonis: Overture is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Venus & Adonis: Overture's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 27 in Blow: Venus & Adonis by John Blow, Orchestra of the Age of Enlightenment, René Jacobs. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Venus & Adonis: Overture is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Venus & Adonis: Overture by John Blow, Orchestra of the Age of Enlightenment, René Jacobs is Moderato (at a moderate speed), since this song has a tempo of 116 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice: Act III, Scene 3, Ballo. Allegro | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | E Major | 1 | 12B | 114 BPM | ||
Concerto 5 in A Minor, Op. 7: III. Allegro assai | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | B♭ Minor | 2 | 3A | 118 BPM | ||
Venus & Adonis, Act II: The Graces' Dance | John Blow, Orchestra of the Age of Enlightenment, René Jacobs | F♯ Minor | 1 | 11A | 77 BPM | ||
Suite in A Minor: V. La Piemontoise | Louis Couperin, Laurence Cummings | A♭ Minor | 3 | 1A | 71 BPM | ||
Oboe Quartet in D Minor: I. Poco allegro | Johann Friedrich Fasch, Epoca Barocca | D♭ Minor | 2 | 12A | 101 BPM | ||
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM | ||
Il ritorno d'Ulisse in patria: PROLOGUE, "Mortal cosa son io" (L'Umana Fragilità) | Claudio Monteverdi, René Jacobs, Dominique Visse, Michael Schopper, Lorraine Hunt Lieberson, Martina Bovet, Concerto Vocale | A Minor | 1 | 8A | 120 BPM | ||
Maddalena ai piedi di Cristo: No. 4 Aria Amore Terreno "Deh, librate amoretti" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Bernarda Fink | F♯ Major | 1 | 2B | 112 BPM | ||
Venus & Adonis, Act II: "Call the Graces" (Venus) | John Blow, Orchestra of the Age of Enlightenment, René Jacobs, Rosemary Joshua | F♯ Minor | 1 | 11A | 77 BPM | ||
The Gordian Knot Untied, Z.597: Chaconne - Air - Minuet | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 1 | 3B | 85 BPM |