"Biber: Requiem a 15 in A Major: III. Sequenz" by Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra was released on January 1, 1994. Biber: Requiem a 15 in A Major: III. Sequenz appears to be safe for all ages as it is not explicit. The song is number 3 out of 9 in Biber: Requiem a 15 & Vesperae a 32 by Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Biber: Requiem a 15 in A Major: III. Sequenz's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Biber: Requiem a 15 in A Major: III. Sequenz by Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 139 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater in G Minor: I. Stabat Mater | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | E Minor | 2 | 9A | 143 BPM | ||
Credo in F Major: V. Et vitam | Antonio Lotti, Thomas Hengelbrock | E Major | 2 | 12B | 183 BPM | ||
Exaudiat te Dominus, LWV 77 No. 15: I. Exaudiat te Dominus in die tribulationis | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Magnificat, Wq.215: I. 01 Tutti »Magnificat anima mea Dominum« | Michael Alexander Willens, Kölner Akademie, Hanna Herfurtner, Elvira Bill, Georg Poplutz, Matthias Vieweg, Kolner Akademie Choir | F♯ Major | 1 | 2B | 172 BPM | ||
Te deum, LWV 55: VI. Tu, ad liberandum suscepturus hominem | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Jesu, Meine Freude BWV 227: Unter Deinem Schirmen - Choral | Calmus Ensemble | D♭ Minor | 2 | 12A | 83 BPM | ||
Stabat Mater: III. Quis est home | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Mystery (Rosary) Sonata: No. 3 in B Minor “The Nativity”: I. Sonata | Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell | B Major | 1 | 1B | 95 BPM | ||
Fürwahr, er trug unsere Krankheit, BuxWV 31 | Dietrich Buxtehude, Collegium Ad Mosam, Huub Ehlen, Hannah Morrison, Hayat Chaoui, Hanna Kopra, Immo Schroder, Michiel Meijer | A Major | 0 | 11B | 77 BPM | ||
XII sonate a tre o quattro strumenti e basso: Sonata X a 3 | Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor | F♯ Major | 2 | 2B | 88 BPM |