"Der Frühling: "Komm, holder Lenz!"" by Joseph Haydn, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor had its release date on 2004. The duration of This song is about 3 minutes long, at 3:14. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Joseph Haydn, René Jacobs, Freiburger Barockorchester's "Haydn: Die Jahreszeiten" album is number 2 out of 44. On top of that, France appears to be the country where this track was created. Der Frühling: "Komm, holder Lenz!" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Der Frühling: "Komm, holder Lenz!" by Joseph Haydn, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor to be Adagio (slowly with great expression) because the track has a tempo of 69 テンポ, a half-time of 34テンポ, and a double-time of 138 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Agnus Dei-adagio | Matthews, Arnold, American Bach Soloists, Munoz, Butterfield, Jeffrey Thomas | B♭ Major | 1 | 6B | 138 BPM | ||
Die Schöpfung, Hob. XXI:2 / Erster Teil: 10. Chor: "Stimmt an die Saiten" | Franz Joseph Haydn, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | D Major | 5 | 10B | 114 BPM | ||
Paulus: I. Teil: Nr. 2 Choral "Allein Gott in der Höh' sei Ehr" | Felix Mendelssohn, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe, La Chapelle Royale | G Major | 0 | 9B | 100 BPM | ||
Ich habe genug, BWV 82: I. Aria. Ich habe genug | Johann Sebastian Bach, Matthias Goerne, Freiburger Barockorchester, Gottfried Von Der Goltz | B Minor | 1 | 10A | 76 BPM | ||
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
Mass No. 2 in G Major, D. 167: II. Gloria | Franz Schubert, Edith Lienbacher, Alexander Kaimbacher, Anton Scharinger, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | G Major | 1 | 9B | 131 BPM | ||
Messe solennelle de Sainte Cecile: Kyrie | Charles Gounod, Angela Maria Blasi, Christian Elsner, Dietrich Henschel, Munich Motet Choir, Munich Philharmonic Orchestra, Hans Rudolf Zöbeley | G Major | 1 | 9B | 66 BPM | ||
Missa solemnis in D major, Op. 123: V. Agnus Dei: Dona nobis pacem. Allegretto vivace | Ludwig van Beethoven, Jordi Savall, Le Concert Des Nations | D Major | 2 | 10B | 78 BPM | ||
St. John Passion, BWV 245: Part II: Chorale: Ach Herr, lass dein lieb Engelein (Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 2 | 10B | 173 BPM | ||
3 Psalms, Op. 78: No. 3, "Mein Gott, warum hast du mich verlassen?" | Felix Mendelssohn, RIAS Kammerchor, Marcus Creed | A♭ Major | 2 | 4B | 83 BPM |