"Mass No. 2 in G Major, D. 167: II. Gloria" by Franz Schubert, Edith Lienbacher, Alexander Kaimbacher, Anton Scharinger, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz was released on December 1, 1996. The duration of Mass No. 2 in G Major, D. 167: II. Gloria is about 3 minutes long, at 3:12. Based on our data, "Mass No. 2 in G Major, D. 167: II. Gloria" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 16 out of 20 in Franz Schubert: Messe in G. Musica sacra by Franz Schubert, Orpheus Orchester Wien, Vienna Chamber Choir, Johannes Prinz. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Mass No. 2 in G Major, D. 167: II. Gloria's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass No. 2 in G Major, D. 167: II. Gloria by Franz Schubert, Edith Lienbacher, Alexander Kaimbacher, Anton Scharinger, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz is Allegro (fast, quick, and bright), since this song has a tempo of 131 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Orfeo ed Euridice: Act III, Scene 3, Coro, Orfeo, Amore ed Euridice: Trionfi Amore, e il mondo intiero | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Maria Cristina Kiehr, RIAS Kammerchor, Freiburger Barockorchester, Veronica Cangemi | F♯ Minor | 1 | 11A | 125 BPM | ||
Schubert: Mass in A-Flat Major, D. 678: Kyrie | Franz Schubert, Nikolaus Harnoncourt, Anton Scharinger, Arnold Schoenberg Chor, Birgit Remmert, Deon Van Der Walt, Luba Orgonasova, Chamber Orchestra of Europe | E♭ Major | 1 | 5B | 77 BPM | ||
Stabat Mater, Op. 58: II. Quis est homo, qui non fleret (Andante sostenuto) | Antonín Dvořák, Philippe Herreweghe, Royal Flemish Philharmonic, Ilse Eerens, Michaela Selinger, Maximilian Schmitt, Florian Boesch | A Major | 1 | 11B | 133 BPM | ||
Die lustige Witwe / Act III: "Aber dort bin ich zu Hause.." Lippen schweigen | Franz Lehár, Boje Skovhus, Cheryl Studer, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 72 BPM | ||
St. John Passion, BWV 245: Part II: Chorale: Ruht wohl, ihr heiligen Gebeine (Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 1 | 10A | 132 BPM | ||
Requiem in C Minor: I. Introitus | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | A♭ Major | 0 | 4B | 58 BPM | ||
Miserere II in C minor: 1. Miserere mei, Deus | Giovanni Battista Pergolesi, The Choir of Magdalen College, Oxford, The Wren Orchestra, Bernard Rose | D♭ Major | 2 | 3B | 120 BPM | ||
Wozzeck, Op. 16: Scene 10: Immerzu! Immerzu! Still, Musik! (Wozzeck) | Manfred Gurlitt, Roland Hermann, Celina Lindsley, Anton Scharinger, Jorg Gottschick, Robert Worle, Endrik Wottrich, Christiane Berggold, Reinhart Ginzel, Gabriele Schreckenbach, Regina Schudel, RIAS Kammerchor, Rundfunk-Kinderchor Berlin, Deutsches Symphonie-Orchester Berlin, Gerd Albrecht | B♭ Major | 1 | 6B | 49 BPM | ||
Fauré: Super flumina Babylonis | Gabriel Fauré, Paavo Järvi, Choeur de l'Orchestre de Paris, Laetitia Singleton, Maria Virginia Savastano, Mathias Vidal, Ugo Rabec, Orchestre de Paris | A Minor | 1 | 8A | 115 BPM | ||
Requiem, Op. 48: Libera me | Gabriel Fauré, Collegium Vocale Gent, La Chapelle Royale, Stephan Genz, Philippe Herreweghe | D Minor | 0 | 7A | 62 BPM |