Die Schöpfung, Hob. XXI:2 / Erster Teil: 10. Chor: "Stimmt an die Saiten"

Franz Joseph Haydn, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein
Haydn: Die Schöpfung
1:58 1969年1月1日
テンポ
114
キー
D Major
キャメロットミュージックキー
10B

リンクを埋め込む

共有

Die Schöpfung, Hob. XXI:2 / Erster Teil: 10. Chor: "Stimmt an die Saiten" - Franz Joseph Haydn, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein 情報

音響性
90%
ダンサビリティ
45%
エネルギー
50%
手段性
92%
活気
88%
ラウドネス
79%
話し言葉
4%
価数
69%
人気
ラウドネス
-12.785 dB

まとめ

Franz Joseph Haydn, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein's ' "Die Schöpfung, Hob. XXI:2 / Erster Teil: 10. Chor: "Stimmt an die Saiten"" was released on its scheduled release date, January 1, 1969. With This song being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Franz Joseph Haydn, Berliner Philharmoniker, Herbert von Karajan's "Haydn: Die Schöpfung" album is number 11 out of 33. In terms of popularity, Die Schöpfung, Hob. XXI:2 / Erster Teil: 10. Chor: "Stimmt an die Saiten" is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Die Schöpfung, Hob. XXI:2 / Erster Teil: 10. Chor: "Stimmt an die Saiten" テンポ

We consider the tempo marking of Die Schöpfung, Hob. XXI:2 / Erster Teil: 10. Chor: "Stimmt an die Saiten" by Franz Joseph Haydn, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein to be Moderato (at a moderate speed) because the track has a tempo of 114 テンポ, a half-time of 57テンポ, and a double-time of 228 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.

Die Schöpfung, Hob. XXI:2 / Erster Teil: 10. Chor: "Stimmt an die Saiten" キー

D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: II. Christe by Gioachino Rossini, Marcus Creed, RIAS KammerchorPetite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: II. ChristeGioachino Rossini, Marcus Creed, RIAS KammerchorF Minor04A149 BPM
Orfeo ed Euridice: Act I, Scene 1, Coro: Ah, se intorno a quest'urna funesta by Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger BarockorchesterOrfeo ed Euridice: Act I, Scene 1, Coro: Ah, se intorno a quest'urna funestaChristoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger BarockorchesterF Minor14A80 BPM
Orfeo ed Euridice: Act III, Scene 1, Orfeo: Qual' vita è questa mai by Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Freiburger BarockorchesterOrfeo ed Euridice: Act III, Scene 1, Orfeo: Qual' vita è questa maiChristoph Willibald Gluck, René Jacobs, Bernarda Fink, Freiburger BarockorchesterG Major09B137 BPM
The Creation, Hob.XXI,2: Pt. 1, The Representation of Chaos by Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Jeremy Ovenden, Matthew Brook, Harry ChristophersThe Creation, Hob.XXI,2: Pt. 1, The Representation of ChaosJoseph Haydn, Handel & Haydn Society, Sarah Tynan, Jeremy Ovenden, Matthew Brook, Harry ChristophersD♭ Major13B93 BPM
Missa in Angustiis Missa in Angustiis "Lord Nelson Mass": Missa in Angustiis "Lord Nelson Mass": IV. QuoniamFranz Joseph Haydn, Boston Baroque, Martin Pearlman, Mary Wilson, Abigail Fischer, Keith Jameson, Kevin DeasD Major310B123 BPM
Stabat Mater, Op. 58, B.71: 3. Coro Stabat Mater, Op. 58, B.71: 3. Coro "Eia mater, fons amoris"Antonín Dvořák, Chor der Sächsischen Staatsoper Dresden; see Dresden State Opera Chorus, Matthias Brauer, Staatskapelle Dresden, Giuseppe SinopoliF♯ Major02B69 BPM
Tosca / Act III: Tosca / Act III: "E lucevan le stelle"Giacomo Puccini, José Carreras, Berliner Philharmoniker, Herbert von KarajanB Minor110A74 BPM
Finlandia, Op. 26, No. 7 by Jean Sibelius, Berliner Philharmoniker, Herbert von KarajanFinlandia, Op. 26, No. 7Jean Sibelius, Berliner Philharmoniker, Herbert von KarajanA♭ Major34B67 BPM
Messa da Requiem: IIh. Confutatis (Live) by Giuseppe Verdi, Ruggero Raimondi, Salzburg Festival Chorus, Salzburg Festival Orchestra, Herbert von KarajanMessa da Requiem: IIh. Confutatis (Live)Giuseppe Verdi, Ruggero Raimondi, Salzburg Festival Chorus, Salzburg Festival Orchestra, Herbert von KarajanA♭ Major14B161 BPM
St. Matthew Passion, BWV 244 - Part One: 1. Kommt, ihr Töchter, helft mir klagen by Johann Sebastian Bach, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg SoltiSt. Matthew Passion, BWV 244 - Part One: 1. Kommt, ihr Töchter, helft mir klagenJohann Sebastian Bach, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg SoltiE Minor39A139 BPM
ISRC
This song does not have an ISRC.
レコードレーベル
L-M Records/RCA Records