"Orfeo ed Euridice: Act III, Scene 1, Orfeo: Qual' vita è questa mai" by Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Freiburger Barockorchester had its release date on September 28, 2001. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor's "Gluck: Orfeo ed Euridice" album is number 9 out of 33. Based on our statistics, Orfeo ed Euridice: Act III, Scene 1, Orfeo: Qual' vita è questa mai's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Orfeo ed Euridice: Act III, Scene 1, Orfeo: Qual' vita è questa mai by Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Freiburger Barockorchester to be Allegro (fast, quick, and bright) because the track has a tempo of 137 テンポ, a half-time of 68テンポ, and a double-time of 274 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: Euch werde Lohn in bessern Welten | Ludwig van Beethoven, Jonas Kaufmann, Nina Stemme, Christof Fischesser, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | ||
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Infirma nostri corporis virtute firmans perpeti | Gustav Mahler, Leonard Bernstein, London Symphony Orchestra | E♭ Major | 2 | 5B | 77 BPM | ||
Der Sommer: "Welche Labung für die Sinne | Joseph Haydn, René Jacobs, Freiburger Barockorchester, Marlis Petersen | F Major | 0 | 7B | 80 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Aria. "Zdyes on, zdyes on, Yevgeni!" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Thomas Allen, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Stabat Mater: Amen. In sempiterna saecula | Gioachino Rossini, Riccardo Muti, Orchestra del Maggio Musicale Fiorentino | C Minor | 5 | 5A | 76 BPM | ||
Schubert: Mass in G Major, D. 167: Gloria | Franz Schubert, Lucia Popp, Adolf Dallapozza, Elmar Schloter, Wolfgang Sawallisch, Bavarian Radio Symphony Orchestra | E Minor | 0 | 9A | 124 BPM | ||
Paride ed Elena / Act 1: "O del mio dolce ardor" | Christoph Willibald Gluck, Anne Sofie von Otter, Paul Goodwin, The English Concert, Trevor Pinnock | E Minor | 1 | 9A | 133 BPM | ||
Tannhäuser / Act II: "Gar viel und schön" | Richard Wagner, Thomas Quasthoff, Orchester der Deutschen Oper Berlin, Christian Thielemann, Chor der Deutschen Oper Berlin | E Minor | 2 | 9A | 72 BPM | ||
Rinaldo: Act II, scene 4: Almirena : "Lascia ch'io pianga" | George Frideric Handel, Miah Persson, René Jacobs, Freiburger Barockorchester | E Major | 0 | 12B | 97 BPM | ||
Der Frühling: "Schon eilet froh der Ackersmann" | Joseph Haydn, René Jacobs, Freiburger Barockorchester, Dietrich Henschel | E♭ Major | 2 | 5B | 124 BPM |