"Rinaldo: Act II, scene 4: Almirena : "Lascia ch'io pianga"" by George Frideric Handel, Miah Persson, René Jacobs, Freiburger Barockorchester was released on March 24, 2003. Rinaldo: Act II, scene 4: Almirena : "Lascia ch'io pianga" is about six minutes long, preciously at 6:10, making this song fairly long compared to other songs. The track order of this song in George Frideric Handel, Freiburger Barockorchester, René Jacobs, Vivica Genaux's "Handel. Rinaldo" album is number 14 out of 60. In terms of popularity, Rinaldo: Act II, scene 4: Almirena : "Lascia ch'io pianga" is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rinaldo: Act II, scene 4: Almirena : "Lascia ch'io pianga" by George Frideric Handel, Miah Persson, René Jacobs, Freiburger Barockorchester to be Andante (at a walking pace) because the track has a tempo of 97 テンポ, a half-time of 48テンポ, and a double-time of 194 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Agrippina: ATTO II, Sc. XV-XVI: Recit. Agrippina, Narciso "Or è tempo, oh Narciso" | George Frideric Handel, Alexandrina Pendatchanska, René Jacobs, Akademie für Alte Musik Berlin, Dominique Visse | D♭ Minor | 1 | 12A | 100 BPM | ||
Rameau: Castor et Pollux: "Tristes apprêts" (Télaïre) | Jean-Philippe Rameau, Les Ambassadeurs, Alexis Kossenko | D Major | 0 | 10B | 93 BPM | ||
Keyboard Suite No. 1 (Set II) in B-Flat Major, HWV 434: IV. Menuet (arr. W. Kempff for piano) | Wilhelm Kempff, George Frideric Handel, Roberto Cominati | G Minor | 0 | 6A | 60 BPM | ||
Giulio Cesare, HWV 17: Act III - "Piangerò" | Simone Kermes | E♭ Major | 0 | 5B | 97 BPM | ||
Symphony No.5 in D Major: 1. Allegro ma non troppo - Allegro assai | William Boyce, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 2 | 3B | 131 BPM | ||
Il giardino di rose: "Mentre io godo" | Alessandro Scarlatti, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | B Minor | 0 | 10A | 111 BPM | ||
Merope: Sposa, non mi conosci | Geminiano Giacomelli, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | E Minor | 0 | 9A | 114 BPM | ||
Pur ti miro | Claudio Monteverdi, Elin Manahan Thomas, Robin Blaze, Alastair Ross, Siobhán Armstrong, Joseph Crouch, Eligio Quinteiro, Harry Christophers | F♯ Major | 0 | 2B | 72 BPM | ||
Quis Est Homo | Andreas Scholl | D Minor | 0 | 7A | 180 BPM | ||
Mass in B Minor, BWV 232: Kyrie eleison (Chorus) | Johann Sebastian Bach, Veronika Winter, Johanna Koslowsky, Kai Wessel, Markus Brutscher, Hans-Georg Wimmer, Stephan Schreckenberger, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | A♭ Major | 0 | 4B | 130 BPM |