"Pur ti miro" by Claudio Monteverdi, Elin Manahan Thomas, Robin Blaze, Alastair Ross, Siobhán Armstrong, Joseph Crouch, Eligio Quinteiro, Harry Christophers was released on January 1, 2007. With this song being about 5 minutes long, at 4:57, "Pur ti miro" by Claudio Monteverdi, Elin Manahan Thomas, Robin Blaze, Alastair Ross, Siobhán Armstrong, Joseph Crouch, Eligio Quinteiro, Harry Christophers is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 16 out of 16 in Eternal Light by Elin Manahan Thomas. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Pur ti miro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pur ti miro by Claudio Monteverdi, Elin Manahan Thomas, Robin Blaze, Alastair Ross, Siobhán Armstrong, Joseph Crouch, Eligio Quinteiro, Harry Christophers is Adagio (slowly with great expression), since this song has a tempo of 72 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il ritorno d'Ulisse in patria, SV 325, Act I: Prologue. Mortal cosa son io | Claudio Monteverdi, Hana Blažíková, Gianluca Buratto, Carlo Vistoli, Silvia Frigato, English Baroque Soloists, John Eliot Gardiner | A Minor | 1 | 8A | 116 BPM | ||
Selve amiche | Antonio Caldara, Cecilia Bartoli, György Fischer | A Minor | 0 | 8A | 136 BPM | ||
Stabat Mater: 2. Cujus animam | Giovanni Battista Pergolesi, Margaret Marshall, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | A♭ Major | 1 | 4B | 105 BPM | ||
Cavalli / Arr Pluhar: La Calisto, Act 1: "Piante ombrose" | Francesco Cavalli, Christina Pluhar, L'Arpeggiata | C Major | 1 | 8B | 91 BPM | ||
Cantata No.30 "Freue dich, erlöste Schar", BWV 30: 5. Aria: Kommt, ihr angefocht'nen Sünder | Johann Sebastian Bach, Magdalena Kozená, Musica Florea, Marek Stryncl | F Minor | 1 | 4A | 72 BPM | ||
Cantate Domino, SV 293 | Claudio Monteverdi, Le Concert Spirituel, Herve Niquet | F Major | 2 | 7B | 88 BPM | ||
Stabat Mater: XI. Christe, cum sit hinc exire | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Il Trionfo dell'Innocenza: "Vanne pentita a piangere" | Antonio Caldara, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | A Major | 0 | 11B | 80 BPM | ||
Tu ch'hai le penne, amore | Giulio Caccini, Cecilia Bartoli, György Fischer | G Minor | 1 | 6A | 134 BPM | ||
Vespers of 1610: Pulchra es | Claudio Monteverdi, Grace Davidson, Charlotte Mobs, Harry Christophers, The Sixteen | G Major | 0 | 9B | 87 BPM |