"Giulio Cesare, HWV 17: Act III - "Piangerò"" by Simone Kermes was released on March 13, 2009. Since Giulio Cesare, HWV 17: Act III - "Piangerò" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Simone Kermes's "Händel: Arias for Cuzzoni (La Diva)" album is number 3 out of 14. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Giulio Cesare, HWV 17: Act III - "Piangerò" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Giulio Cesare, HWV 17: Act III - "Piangerò" by Simone Kermes to be Andante (at a walking pace) because the track has a tempo of 97 テンポ, a half-time of 48テンポ, and a double-time of 194 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in D Minor, K. 626 (Süssmayr - Dutron 2016 completion): II. Sequentia - Lacrimosa | Wolfgang Amadeus Mozart, RIAS Kammerchor, René Jacobs, Sophie Karthäuser, Marie-Claude Chappuis, Maximilian Schmitt, Johannes Weisser, Freiburger Barockorchester | D Major | 1 | 10B | 83 BPM | ||
Cleofide: "Se mai più sarò geloso" | Johann Adolf Hasse, Simone Kermes, Vivica Genaux, Andrés Gabetta | D♭ Major | 2 | 3B | 83 BPM | ||
Germanico in germania: Se doppo ria procella - From "Il Germanico" | Nicola Porpora, Simone Kermes | D Major | 3 | 10B | 80 BPM | ||
L'Eraclea: Dopo i nembi e le procelle | Tomaso Albinoni, Simone Kermes, Amici Veneziani | D Minor | 1 | 7A | 137 BPM | ||
Requiem, Op. 48 (version pour grand orchestre): Agnus Dei | Gabriel Fauré, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale, Joseph Moor | D Minor | 0 | 7A | 143 BPM | ||
Paride ed Elena / Act 1: "O del mio dolce ardor" | Christoph Willibald Gluck, Anne Sofie von Otter, Paul Goodwin, The English Concert, Trevor Pinnock | E Minor | 1 | 9A | 133 BPM | ||
Zueignung, Op. 10, Nr. 1 | Richard Strauss, Simone Kermes | C Major | 2 | 8B | 102 BPM | ||
Fields of Gold | Gordon Matthew Thomas Sumner, Simone Kermes, Amici Veneziani | E Major | 1 | 12B | 68 BPM | ||
Tito Manlio, RV 738 / Act 1: "Di verde ulivo" | Antonio Vivaldi, Cecilia Bartoli, Sol Gabetta, Cappella Gabetta, Andrés Gabetta | D Major | 3 | 10B | 141 BPM | ||
In questo semplice modesto asilo (Cavatina der Betly) - from "Betly, o la capanna svizzera" | Gaetano Donizetti, Simone Kermes, Christoph M. Mueller, Christoph-Mathias Mueller, Concerto Köln | B♭ Major | 1 | 6B | 129 BPM |