Nicola Porpora, Simone Kermes's 'Germanico in germania: Se doppo ria procella - From "Il Germanico"' came out on August 17, 2012. Since Germanico in germania: Se doppo ria procella - From "Il Germanico" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 10 out of 11 in Dramma by Simone Kermes. Germanico in germania: Se doppo ria procella - From "Il Germanico" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Germanico in germania: Se doppo ria procella - From "Il Germanico" by Nicola Porpora, Simone Kermes is Andante (at a walking pace), since this song has a tempo of 80 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salve Regina, S. 308: No. 3, Ad te suspiramus | Anonymous, Nicola Porpora, José Maria Lo Monaco, Stile Galante, Stefano Aresi | D Major | 1 | 10B | 76 BPM | ||
Il diluvio universale, Act IV "In l’arca di Noè": Ecco l’Iride paciera | Michelangelo Falvetti, Leonardo García-Alarcón, Chœur De Chambre De Namur, Cappella Mediterranea | F Major | 5 | 7B | 112 BPM | ||
Klag Lied in D Minor, BuxWV 76: II. Contrapunctus II & Evolutio | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Maÿlis de Villoutreys | E Minor | 1 | 9A | 83 BPM | ||
Philidor: Les Amazones: "Venez, troupe guerrière" - "Puisque tout est tranquille" - "Combattons, courrons à la gloire" (Thalestris, Hippolyte) | Andre Danican Philidor, Lea Desandre, Jupiter, Véronique Gens, Thomas Dunford | C Minor | 3 | 5A | 175 BPM | ||
San Giovanni Battista: Queste lagrime e sospiri | Alessandro Stradella, Patricia Petibon, Venice Baroque Orchestra, Andrea Marcon | E Minor | 0 | 9A | 99 BPM | ||
The Fairy Queen / Act 2: One Charming Night | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | B Minor | 1 | 10A | 80 BPM | ||
Laudate pueri in G Major, RV 601 "Salmo 112": VIII. Sicut erat in principio (Allegro non molto) | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | D♭ Major | 1 | 3B | 93 BPM | ||
Rameau: Naïs: "Je ne sais quel ennui me presse" | Jean-Philippe Rameau, Alexis Kossenko, Les Ambassadeurs | B Major | 1 | 1B | 173 BPM | ||
Ezio, Act I Scene IX: Se tu la reggi al volo | Nicola Porpora, Academia Montis Regalis, Alessandro De Marchi | D♭ Major | 4 | 3B | 122 BPM | ||
The Masque Of Hymen: The Last Act - Solo (Cupid): The Joys Of Wedlock | The Scholars Baroque Ensemble, Henry Purcell | F♯ Minor | 0 | 11A | 169 BPM |