Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari's 'The Fairy Queen / Act 2: One Charming Night' came out on January 1, 2010. The duration of The Fairy Queen / Act 2: One Charming Night is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. The Fairy Queen / Act 2: One Charming Night's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "O Solitude". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. The Fairy Queen / Act 2: One Charming Night is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Fairy Queen / Act 2: One Charming Night by Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari having a テンポ of 80 with a half-time of 40 テンポ and a double-time of 160 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Indian Queen, Z. 630 : Act III - Duet (Aerial Spirits): Ah! How Happy We Are | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | A♭ Minor | 1 | 1A | 196 BPM | ||
Come, Ye Sons of Art Away, Z. 323 "Ode for Queen Mary's Birthday, 1694": No. 2. Duet, "Come Ye Sons of Art Away" (Arr. with Trumpet, Trombone, Baroque Guitar, Cello and Organ by Wim van Hasselt and Jörgen van Rijen) | Henry Purcell, Wim Van Hasselt, Jörgen Van Rijen, Benedikt Enzler, Mike Fentross, Jorge Lopez-Escribano | F Major | 1 | 7B | 107 BPM | ||
Stabat Mater, RV 621: II. Cujus animam gementem | Antonio Vivaldi, Andreas Scholl, Ensemble 415, Chiara Banchini | E♭ Minor | 1 | 2A | 139 BPM | ||
Purcell : King Arthur : Act 2 "Shepherd, shepherd, leave decoying" [Sopranos] | William Christie | F Minor | 1 | 4A | 94 BPM | ||
Fauré: Requiem, Op. 48: III. Sanctus | Gabriel Fauré, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | E♭ Major | 0 | 5B | 66 BPM | ||
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM | ||
Bononcini: Chi d'Amor tra le catene - Duetto: Chi d'amor | Philippe Jaroussky | F♯ Minor | 1 | 11A | 97 BPM | ||
Miserere: II. Amplius lava me - Tibi soli peccavi | Michel Richard Delalande, Sophie Karthäuser, Ensemble Correspondances, Sébastien Daucé | B Minor | 1 | 10A | 129 BPM | ||
Maddalena ai piedi di Cristo: No. 47 Aria Maddalena, "Per il mar del pianto mio" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Maria Cristina Kiehr, Orchestre de la Schola Cantorum Basiliensis | B Minor | 0 | 10A | 128 BPM | ||
Eia Mater | Andreas Scholl | B♭ Major | 1 | 6B | 98 BPM |