William Christie made "Purcell : King Arthur : Act 2 "Shepherd, shepherd, leave decoying" [Sopranos]" available on 1995. With Purcell : King Arthur : Act 2 "Shepherd, shepherd, leave decoying" [Sopranos] being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 41 in the song's album "Purcell : King Arthur". In this album, this song's track order is #13. In terms of popularity, Purcell : King Arthur : Act 2 "Shepherd, shepherd, leave decoying" [Sopranos] is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Purcell : King Arthur : Act 2 "Shepherd, shepherd, leave decoying" [Sopranos] by William Christie having a テンポ of 94 with a half-time of 47 テンポ and a double-time of 188 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Fairy Queen, Z. 629 / Act 2: "Hush, no more" | Henry Purcell, Stephen Varcoe, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir | F♯ Major | 1 | 2B | 135 BPM | ||
L'Orfeo, Atto secondo: VI. Ahi, caso acerbo! | Claudio Monteverdi, Jordi Savall, Sara Mingardo, La Capella Reial De Catalunya, Le Concert Des Nations | D Minor | 1 | 7A | 137 BPM | ||
L'Orfeo, Atto quinto: II. Sinfonia | Claudio Monteverdi, Jordi Savall, Furio Zanasi, Fulvio Bettini, Le Concert Des Nations | D Minor | 1 | 7A | 62 BPM | ||
Giulio Cesare, HWV 17: Act II - "V'adoro pupille" | Simone Kermes | E Major | 1 | 12B | 101 BPM | ||
Exsultate, jubilate, K.165: 1. Exsultate, jubilate | Wolfgang Amadeus Mozart, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | F Major | 1 | 7B | 121 BPM | ||
Il ritorno d'Ulisse in patria, SV 325, Act I: Prologue. Mortal cosa son io | Claudio Monteverdi, Hana Blažíková, Gianluca Buratto, Carlo Vistoli, Silvia Frigato, English Baroque Soloists, John Eliot Gardiner | A Minor | 1 | 8A | 116 BPM | ||
Come, ye sons of art, away (1694) Ode for the Birthday of Queen Mary II: Come, ye sons of art, away | Henry Purcell, Michael Chance, The English Concert, Trevor Pinnock, The English Concert Choir | D♭ Major | 2 | 3B | 81 BPM | ||
In darkness let me dwell | John Dowland, Andreas Scholl, Edin Karamazov | E Major | 0 | 12B | 83 BPM | ||
Les Indes galantes, Première Entrée, Scène 2: "Vaste empire des mers" (Chœur des Matelots) - "Ciel ! de plus d'une mort" (Emilie) | Jean-Philippe Rameau, Miriam Ruggeri, Les Arts Florissants, William Christie | B Minor | 3 | 10A | 112 BPM | ||
Te Deum, H. 146: Te Deum, H. 146: IX. Fiat misericordia tua Domine | Marc-Antoine Charpentier, Véronique Gens, Noemi Rime, Les Arts Florissants, Bernard Deletré, William Christie | D♭ Major | 0 | 3B | 106 BPM |