"L'Orfeo, Atto secondo: VI. Ahi, caso acerbo!" by Claudio Monteverdi, Jordi Savall, Sara Mingardo, La Capella Reial De Catalunya, Le Concert Des Nations was released on June 8, 2015. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 32 in Claudio Monteverdi: L'Orfeo by Claudio Monteverdi, Jordi Savall. Based on our statistics, L'Orfeo, Atto secondo: VI. Ahi, caso acerbo!'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'Orfeo, Atto secondo: VI. Ahi, caso acerbo! by Claudio Monteverdi, Jordi Savall, Sara Mingardo, La Capella Reial De Catalunya, Le Concert Des Nations is Allegro (fast, quick, and bright), since this song has a tempo of 137 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Il ritorno d'Ulisse in patria, SV 325: Act III Scene 1: Eurimaco, la donna insomma ha un cor di sasso - Live | Claudio Monteverdi, Maiko Kimoto, Haruyuki Hirai, Ensemble San Felice, Federico Bardazzi | A Minor | 4 | 8A | 75 BPM | ||
Couperin, F: Troisième leçon de ténèbres pour le Mercredi saint: VI. Jerusalem | François Couperin, William Christie, Patricia Petibon, Sophie Daneman, Les Arts Florissants | C Minor | 0 | 5A | 76 BPM | ||
Monteverdi: Madrigals, Book 8: Vago augelletto che cantado vai, SV 156 | Claudio Monteverdi, Christina Pluhar, Zsuzsanna Toth, Lauren Armishaw, Philippe Jaroussky, Jan Van Elsacker, Cyril Auvity, Nicolas Achten, Joao Fernandes | B Minor | 1 | 10A | 78 BPM | ||
Messe in H-moll, BWV 232: Quoniam tu solus sanctus | La Capella Reial De Catalunya, Stephan McLeod | D♭ Major | 1 | 3B | 84 BPM | ||
Exulta Filia Sion | Jordi Savall, Claudio Monteverdi, Montserrat Figueras | F Major | 2 | 7B | 76 BPM | ||
Premier Concert: Gavotte - Notes Égales Et Coulées (Couperin) | Le Concert Des Nations, Jordi Savall | F Minor | 2 | 4A | 81 BPM | ||
Altri Canti D’Amor - Tu Cui Tessuta Han Die Cesare Alloro | Jordi Savall, Claudio Monteverdi, Montserrat Figueras | D Major | 1 | 10B | 172 BPM | ||
Purcell : King Arthur : Act 5 "Saint George" [Soprano, Chorus] | William Christie | B♭ Major | 1 | 6B | 137 BPM | ||
Te Deum: II. Te Deum Laudamus | Marc-Antoine Charpentier, La Capella Reial De Catalunya, Le Concert Des Nations, Jordi Savall | D♭ Major | 2 | 3B | 111 BPM | ||
Recercada tercera sobre tenores Italianos, IDO 27, "Passamezzo moderno" | Diego Ortiz, Joel Frederiksen | E Major | 0 | 12B | 126 BPM |