William Christie made "Purcell : King Arthur : Act 5 "Saint George" [Soprano, Chorus]" available on 1995. The duration of Purcell : King Arthur : Act 5 "Saint George" [Soprano, Chorus] is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Purcell : King Arthur : Act 5 "Saint George" [Soprano, Chorus]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Purcell : King Arthur". In this album, this song's track order is #39. Based on our statistics, Purcell : King Arthur : Act 5 "Saint George" [Soprano, Chorus]'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Purcell : King Arthur : Act 5 "Saint George" [Soprano, Chorus] by William Christie having a テンポ of 137 with a half-time of 68 テンポ and a double-time of 274 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
The music key of this track is B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mondonville : In exitu Israel : "Jordanis conversus est retrorsum" | Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants | F Minor | 4 | 4A | 144 BPM | ||
Birthday Ode 1692 Long may she reign over this isle | The Sixteen | B Minor | 2 | 10A | 64 BPM | ||
Couperin, F: Première leçon de ténèbres pour le Mercredi saint: II. Aleph | François Couperin, William Christie, Sophie Daneman, Les Arts Florissants | D♭ Minor | 2 | 12A | 93 BPM | ||
If Music Be The Food Of Love | Alfred Deller | D Minor | 1 | 7A | 129 BPM | ||
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 12, Rezitativ. "In vollem Glanze steiget jetzt" (Uriel) | Joseph Haydn, William Christie, Toby Spence, Les Arts Florissants | B♭ Major | 1 | 6B | 97 BPM | ||
Handel: Serse, HWV 40, Act 1 Scene 4: Recitativo, "Arsamene! Romilda, oh Dei, pavento" (Romilda, Arsamene, Atalanta) | George Frideric Handel, William Christie | D♭ Major | 1 | 3B | 107 BPM | ||
Morning Service in D Major, Z. 232: Jubilate Deo | Henry Purcell, Jeni Bern, Susan Bisatt, William Purefoy, Christopher Robson, Ian Honeyman, Thomas Guthrie, Choir of the Golden Age, Orchestra of the Golden Age, Robert Glenton | D♭ Major | 1 | 3B | 67 BPM | ||
Matthäus-Passion, BWV 244 / Zweiter Teil: No. 49 "Aus Liebe will mein Heiland sterben" | Johann Sebastian Bach, Ann Monoyios, English Baroque Soloists, John Eliot Gardiner | A♭ Minor | 0 | 1A | 86 BPM | ||
Purcell : King Arthur : Air | William Christie | G Minor | 1 | 6A | 0 BPM | ||
The Fairy Queen, Z. 629 / Act 1: Song In Two Parts: "Come, come, come, let us leave" | Henry Purcell, Eiddwen Harrhy, Stephen Varcoe, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 1 | 2B | 135 BPM |