"Morning Service in D Major, Z. 232: Jubilate Deo" by Henry Purcell, Jeni Bern, Susan Bisatt, William Purefoy, Christopher Robson, Ian Honeyman, Thomas Guthrie, Choir of the Golden Age, Orchestra of the Golden Age, Robert Glenton was released on February 21, 1996. Since Morning Service in D Major, Z. 232: Jubilate Deo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Purcell, H.: Ode for St. Cecilia's Day / Te Deum". In this album, this song's track order is #8. Morning Service in D Major, Z. 232: Jubilate Deo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Morning Service in D Major, Z. 232: Jubilate Deo by Henry Purcell, Jeni Bern, Susan Bisatt, William Purefoy, Christopher Robson, Ian Honeyman, Thomas Guthrie, Choir of the Golden Age, Orchestra of the Golden Age, Robert Glenton having a テンポ of 67 with a half-time of 34 テンポ and a double-time of 134 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lauda Jerusalem (Psalm 147), R.609 | Antonio Vivaldi, Margaret Marshall, Ann Murray, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Jeffrey Tate, Alastair Ross | D Major | 3 | 10B | 105 BPM | ||
Amarilli mia bella | Giulio Caccini, Andreas Scholl, Edin Karamazov | E Major | 0 | 12B | 91 BPM | ||
Liebster Gott, wenn werd ich sterben, BWV 8: Recitative: Behalte nur, o Welt, das Meine! (Soprano) | Johann Sebastian Bach, Katherine Fuge, Robin Tyson, Mark Padmore, Thomas Guthrie, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 3 | 2B | 134 BPM | ||
Mass in B Minor, BWV 232: Qui tollis peccata mundi (Chorus) | Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B♭ Minor | 1 | 3A | 99 BPM | ||
Les plaisirs: 2e Entree | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Minor | 1 | 10A | 79 BPM | ||
Herr Christ, der einig Gotts Sohn, BWV 601 | Traditional, Trinity Baroque, Julian Podger, Elin Manahan Thomas, Christine Maria Rembeck, Clare Wilkinson, Kate Hamilton, Hermann Oswald, Christopher Adams, Thomas Guthrie | A Major | 3 | 11B | 93 BPM | ||
Dido and Aeneas / Act 1: "Shake the cloud from off your brow" | Henry Purcell, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | C Minor | 1 | 5A | 103 BPM | ||
The Indian Queen, Z. 630 : Act III - Trumpet Overture | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | D♭ Major | 1 | 3B | 112 BPM | ||
Pyramus and Thisbe: No. 7, The Whispering Duetto – Recit. Not Shafalus to Procrus Was So True (Thisbe/Pyramus) | John Frederick Lampe, Peter Holman, Opera Restor'd, Mark Padmore, Susan Bisatt | A Major | 1 | 11B | 169 BPM | ||
The Grenadier: No. 1, Duet. Forever, False Jenny (Ralph/Jenny) | Charles Dibdin, Kevin West, Susan Bisatt, Peter Holman, Opera Restor'd | B Major | 1 | 1B | 104 BPM |