"Pyramus and Thisbe: No. 7, The Whispering Duetto – Recit. Not Shafalus to Procrus Was So True (Thisbe/Pyramus)" by John Frederick Lampe, Peter Holman, Opera Restor'd, Mark Padmore, Susan Bisatt had its release date on February 1, 1995. The duration of This song is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Pyramus and Thisbe: No. 7, The Whispering Duetto – Recit. Not Shafalus to Procrus Was So True (Thisbe/Pyramus)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in John Frederick Lampe, Opera Restor'd, Peter Holman's "Lampe: Pyramus and Thisbe (English Orpheus 29)" album is number 12 out of 23. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Pyramus and Thisbe: No. 7, The Whispering Duetto – Recit. Not Shafalus to Procrus Was So True (Thisbe/Pyramus) is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Pyramus and Thisbe: No. 7, The Whispering Duetto – Recit. Not Shafalus to Procrus Was So True (Thisbe/Pyramus) by John Frederick Lampe, Peter Holman, Opera Restor'd, Mark Padmore, Susan Bisatt to be Vivace (lively and fast) because the track has a tempo of 169 テンポ, a half-time of 84テンポ, and a double-time of 338 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mein Herze schwimmt im Blut, BWV 199: No. 4, Tief gebückt und voller Reue | Johann Sebastian Bach, Hans-Christoph Rademann, Gächinger Kantorei Stuttgart | E Major | 1 | 12B | 111 BPM | ||
Dido and Aeneas, Z. 626, Act III: When I am laid | Henry Purcell, La Nuova Musica, David Bates, Fleur Barron | F♯ Minor | 2 | 11A | 94 BPM | ||
Johannes-Passion, BWV 245.1: 27. Recitativo: Die Kriegsknechte aber | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Daniel Ochoa | D Major | 2 | 10B | 172 BPM | ||
Te Deum: VII. Tu ad dexteram Dei sedes | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Sistite sidera, coeli motus otiamini: No. 3, Ecce sidus splendidissimus | Rinaldo Alessandrini, Concerto Italiano, Sonia Tedla | A Major | 3 | 11B | 93 BPM | ||
Concerto, GWV 308: III. Largo | Christoph Graupner, Josh Cohen, Ensemble Sprezzatura, Daniel Abraham | B♭ Minor | 1 | 3A | 76 BPM | ||
Te Deum: X. Dignare Domine | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Helen Charlston, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Ariette "D'amor per te languisco", H. 767, Wq. 213 | Carl Philipp Emanuel Bach, Chantal Santon Jeffery, Jean Brégnac, Nicolas Bouils, Jennifer Hardy, Yoann Moulin | B♭ Minor | 3 | 3A | 69 BPM | ||
Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. II: No. 21. Recitativ, "Wie sieht dein Haar" (Zion) | Johann Sebastian Bach, Christian Friedrich Henrici, Il Gardellino, Alexander Grychtolik, Miriam Feuersinger | A♭ Minor | 2 | 1A | 96 BPM | ||
The Dragon of Wantley: Zeno, Plato, Aristotle | John Frederick Lampe, Unknown, Lawrence Zazzo, Tercia Realidad | D♭ Minor | 0 | 12A | 175 BPM |