Pyramus and Thisbe: No. 7, The Whispering Duetto – Recit. Not Shafalus to Procrus Was So True (Thisbe/Pyramus)

John Frederick Lampe, Peter Holman, Opera Restor'd, Mark Padmore, Susan Bisatt
Lampe: Pyramus and Thisbe (English Orpheus 29)
2:02 1995年2月1日
テンポ
169
キー
A Major
キャメロットミュージックキー
11B

リンクを埋め込む

共有

Pyramus and Thisbe: No. 7, The Whispering Duetto – Recit. Not Shafalus to Procrus Was So True (Thisbe/Pyramus) - John Frederick Lampe, Peter Holman, Opera Restor'd, Mark Padmore, Susan Bisatt 情報

音響性
95%
ダンサビリティ
42%
エネルギー
10%
手段性
0%
活気
62%
ラウドネス
66%
話し言葉
30%
価数
18%
人気
ラウドネス
-20.618 dB

まとめ

"Pyramus and Thisbe: No. 7, The Whispering Duetto – Recit. Not Shafalus to Procrus Was So True (Thisbe/Pyramus)" by John Frederick Lampe, Peter Holman, Opera Restor'd, Mark Padmore, Susan Bisatt had its release date on February 1, 1995. The duration of This song is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Pyramus and Thisbe: No. 7, The Whispering Duetto – Recit. Not Shafalus to Procrus Was So True (Thisbe/Pyramus)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in John Frederick Lampe, Opera Restor'd, Peter Holman's "Lampe: Pyramus and Thisbe (English Orpheus 29)" album is number 12 out of 23. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Pyramus and Thisbe: No. 7, The Whispering Duetto – Recit. Not Shafalus to Procrus Was So True (Thisbe/Pyramus) is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Pyramus and Thisbe: No. 7, The Whispering Duetto – Recit. Not Shafalus to Procrus Was So True (Thisbe/Pyramus) テンポ

We consider the tempo marking of Pyramus and Thisbe: No. 7, The Whispering Duetto – Recit. Not Shafalus to Procrus Was So True (Thisbe/Pyramus) by John Frederick Lampe, Peter Holman, Opera Restor'd, Mark Padmore, Susan Bisatt to be Vivace (lively and fast) because the track has a tempo of 169 テンポ, a half-time of 84テンポ, and a double-time of 338 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.

Pyramus and Thisbe: No. 7, The Whispering Duetto – Recit. Not Shafalus to Procrus Was So True (Thisbe/Pyramus) キー

This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Mein Herze schwimmt im Blut, BWV 199: No. 4, Tief gebückt und voller Reue by Johann Sebastian Bach, Hans-Christoph Rademann, Gächinger Kantorei StuttgartMein Herze schwimmt im Blut, BWV 199: No. 4, Tief gebückt und voller ReueJohann Sebastian Bach, Hans-Christoph Rademann, Gächinger Kantorei StuttgartE Major112B111 BPM
Dido and Aeneas, Z. 626, Act III: When I am laid by Henry Purcell, La Nuova Musica, David Bates, Fleur BarronDido and Aeneas, Z. 626, Act III: When I am laidHenry Purcell, La Nuova Musica, David Bates, Fleur BarronF♯ Minor211A94 BPM
Johannes-Passion, BWV 245.1: 27. Recitativo: Die Kriegsknechte aber by Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Daniel OchoaJohannes-Passion, BWV 245.1: 27. Recitativo: Die Kriegsknechte aberJohann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Daniel OchoaD Major210B172 BPM
Te Deum: VII. Tu ad dexteram Dei sedes by Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient MusicTe Deum: VII. Tu ad dexteram Dei sedesGiovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient MusicB Minor210A71 BPM
Sistite sidera, coeli motus otiamini: No. 3, Ecce sidus splendidissimus by Rinaldo Alessandrini, Concerto Italiano, Sonia TedlaSistite sidera, coeli motus otiamini: No. 3, Ecce sidus splendidissimusRinaldo Alessandrini, Concerto Italiano, Sonia TedlaA Major311B93 BPM
Concerto, GWV 308: III. Largo by Christoph Graupner, Josh Cohen, Ensemble Sprezzatura, Daniel AbrahamConcerto, GWV 308: III. LargoChristoph Graupner, Josh Cohen, Ensemble Sprezzatura, Daniel AbrahamB♭ Minor13A76 BPM
Te Deum: X. Dignare Domine by Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Helen Charlston, Academy of Ancient MusicTe Deum: X. Dignare DomineGiovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Helen Charlston, Academy of Ancient MusicB Minor210A71 BPM
Ariette Ariette "D'amor per te languisco", H. 767, Wq. 213Carl Philipp Emanuel Bach, Chantal Santon Jeffery, Jean Brégnac, Nicolas Bouils, Jennifer Hardy, Yoann MoulinB♭ Minor33A69 BPM
Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. II: No. 21. Recitativ, Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. II: No. 21. Recitativ, "Wie sieht dein Haar" (Zion)Johann Sebastian Bach, Christian Friedrich Henrici, Il Gardellino, Alexander Grychtolik, Miriam FeuersingerA♭ Minor21A96 BPM
The Dragon of Wantley: Zeno, Plato, Aristotle by John Frederick Lampe, Unknown, Lawrence Zazzo, Tercia RealidadThe Dragon of Wantley: Zeno, Plato, AristotleJohn Frederick Lampe, Unknown, Lawrence Zazzo, Tercia RealidadD♭ Minor012A175 BPM
ISRC
GBAJY9575912
レコードレーベル
L-M Records/RCA Records