Il ritorno d'Ulisse in patria, SV 325: Act III Scene 1: Eurimaco, la donna insomma ha un cor di sasso - Live

Claudio Monteverdi, Maiko Kimoto, Haruyuki Hirai, Ensemble San Felice, Federico Bardazzi
Monteverdi: Il ritorno d'Ulisse in patria, SV 325 (Live)
3:55 2023年7月7日
テンポ
75
キー
A Minor
キャメロットミュージックキー
8A

リンクを埋め込む

共有

Il ritorno d'Ulisse in patria, SV 325: Act III Scene 1: Eurimaco, la donna insomma ha un cor di sasso - Live - Claudio Monteverdi, Maiko Kimoto, Haruyuki Hirai, Ensemble San Felice, Federico Bardazzi 情報

音響性
95%
ダンサビリティ
29%
エネルギー
38%
手段性
0%
活気
22%
ラウドネス
86%
話し言葉
4%
価数
31%
人気
ラウドネス
-8.16 dB

まとめ

Claudio Monteverdi, Maiko Kimoto, Haruyuki Hirai, Ensemble San Felice, Federico Bardazzi's 'Il ritorno d'Ulisse in patria, SV 325: Act III Scene 1: Eurimaco, la donna insomma ha un cor di sasso - Live' came out on July 7, 2023. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Claudio Monteverdi, Leonardo de Lisi, Haruyuki Hirai, Federico Bardazzi, Choi Seoyeon, Ensemble San Felice's "Monteverdi: Il ritorno d'Ulisse in patria, SV 325 (Live)" album is number 3 out of 33. On top of that, Italy appears to be the country where this track was created. Il ritorno d'Ulisse in patria, SV 325: Act III Scene 1: Eurimaco, la donna insomma ha un cor di sasso - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Il ritorno d'Ulisse in patria, SV 325: Act III Scene 1: Eurimaco, la donna insomma ha un cor di sasso - Live テンポ

We consider the tempo marking of Il ritorno d'Ulisse in patria, SV 325: Act III Scene 1: Eurimaco, la donna insomma ha un cor di sasso - Live by Claudio Monteverdi, Maiko Kimoto, Haruyuki Hirai, Ensemble San Felice, Federico Bardazzi to be Adagio (slowly with great expression) because the track has a tempo of 75 テンポ, a half-time of 38テンポ, and a double-time of 150 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Il ritorno d'Ulisse in patria, SV 325: Act III Scene 1: Eurimaco, la donna insomma ha un cor di sasso - Live キー

A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Stabat Mater: 3. O quam tristis by Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher HogwoodStabat Mater: 3. O quam tristisGiovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher HogwoodF♯ Minor111A80 BPM
Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Signor, hoggi rinasco" (Poppea, Nerone)Claudio Monteverdi, Richard Hickox, Arleen Auger, Della Jones, City Of London Baroque SinfoniaA Minor18A78 BPM
Lachrimae or Seven Tears: XIV. The Earl of Essex Galliard by John Dowland, Phantasm, Elizabeth KennyLachrimae or Seven Tears: XIV. The Earl of Essex GalliardJohn Dowland, Phantasm, Elizabeth KennyE Major112B112 BPM
Crucifixus (8vv) by Antonio Lotti, Choir of St. John's College, Cambridge, London Philharmonic Orchestra, George GuestCrucifixus (8vv)Antonio Lotti, Choir of St. John's College, Cambridge, London Philharmonic Orchestra, George GuestC Minor25A86 BPM
Requiem in C Minor: I. Introitus by Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr FialaRequiem in C Minor: I. IntroitusLuigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr FialaA♭ Major04B58 BPM
Les plaisirs: Air pour le Vieillard et sa Famille by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonLes plaisirs: Air pour le Vieillard et sa FamilleJean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonD♭ Major03B118 BPM
Was mir behagt, BWV 208: Schafe können sicher weiden (Arie) by Johann Sebastian Bach, Núria Rial, Julia SchröderWas mir behagt, BWV 208: Schafe können sicher weiden (Arie)Johann Sebastian Bach, Núria Rial, Julia SchröderA Major111B69 BPM
Anchor che col partire' by Paolo Pandolfo, Céline Scheen, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro GarridoAnchor che col partire'Paolo Pandolfo, Céline Scheen, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro GarridoA Minor18A138 BPM
Stabat Mater: 5. Quis est homo by Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher HogwoodStabat Mater: 5. Quis est homoGiovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher HogwoodB Minor110A80 BPM
Membra Jesu Nostri, BuxWV 75, Ad genua: Sonata in tremulo by Dietrich Buxtehude, Ricercar Consort, Philippe PierlotMembra Jesu Nostri, BuxWV 75, Ad genua: Sonata in tremuloDietrich Buxtehude, Ricercar Consort, Philippe PierlotC Minor25A90 BPM
ISRC
ITDQ72326054
レコードレーベル
L-M Records/RCA Records