Claudio Monteverdi, Maiko Kimoto, Haruyuki Hirai, Ensemble San Felice, Federico Bardazzi's 'Il ritorno d'Ulisse in patria, SV 325: Act III Scene 1: Eurimaco, la donna insomma ha un cor di sasso - Live' came out on July 7, 2023. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Claudio Monteverdi, Leonardo de Lisi, Haruyuki Hirai, Federico Bardazzi, Choi Seoyeon, Ensemble San Felice's "Monteverdi: Il ritorno d'Ulisse in patria, SV 325 (Live)" album is number 3 out of 33. On top of that, Italy appears to be the country where this track was created. Il ritorno d'Ulisse in patria, SV 325: Act III Scene 1: Eurimaco, la donna insomma ha un cor di sasso - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Il ritorno d'Ulisse in patria, SV 325: Act III Scene 1: Eurimaco, la donna insomma ha un cor di sasso - Live by Claudio Monteverdi, Maiko Kimoto, Haruyuki Hirai, Ensemble San Felice, Federico Bardazzi to be Adagio (slowly with great expression) because the track has a tempo of 75 テンポ, a half-time of 38テンポ, and a double-time of 150 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 1 | 11A | 80 BPM | ||
Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Signor, hoggi rinasco" (Poppea, Nerone) | Claudio Monteverdi, Richard Hickox, Arleen Auger, Della Jones, City Of London Baroque Sinfonia | A Minor | 1 | 8A | 78 BPM | ||
Lachrimae or Seven Tears: XIV. The Earl of Essex Galliard | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Crucifixus (8vv) | Antonio Lotti, Choir of St. John's College, Cambridge, London Philharmonic Orchestra, George Guest | C Minor | 2 | 5A | 86 BPM | ||
Requiem in C Minor: I. Introitus | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | A♭ Major | 0 | 4B | 58 BPM | ||
Les plaisirs: Air pour le Vieillard et sa Famille | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | D♭ Major | 0 | 3B | 118 BPM | ||
Was mir behagt, BWV 208: Schafe können sicher weiden (Arie) | Johann Sebastian Bach, Núria Rial, Julia Schröder | A Major | 1 | 11B | 69 BPM | ||
Anchor che col partire' | Paolo Pandolfo, Céline Scheen, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | A Minor | 1 | 8A | 138 BPM | ||
Stabat Mater: 5. Quis est homo | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | B Minor | 1 | 10A | 80 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad genua: Sonata in tremulo | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot | C Minor | 2 | 5A | 90 BPM |