"Giulio Cesare, HWV 17: Act II - "V'adoro pupille"" by Simone Kermes was released on March 13, 2009. With this song being about 5 minutes long, at 4:39, "Giulio Cesare, HWV 17: Act II - "V'adoro pupille"" by Simone Kermes is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Simone Kermes's "Händel: Arias for Cuzzoni (La Diva)" album is number 2 out of 14. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Giulio Cesare, HWV 17: Act II - "V'adoro pupille" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Giulio Cesare, HWV 17: Act II - "V'adoro pupille" by Simone Kermes to be Andante (at a walking pace) because the track has a tempo of 101 テンポ, a half-time of 50テンポ, and a double-time of 202 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax sincera | Antonio Vivaldi, Simone Kermes, Venice Baroque Orchestra, Andrea Marcon | E Major | 1 | 12B | 69 BPM | ||
Poème de Théophile de Viau: À Chloris | Reynaldo Hahn, Marie-Nicole Lemieux | E♭ Major | 1 | 5B | 59 BPM | ||
An Evening Hymn, Z 193 | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | D♭ Major | 1 | 3B | 84 BPM | ||
La Sonnerie de Sainte-Geneviève du mont de Paris | Marin Marais, Henk Bouman, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 2 | 1A | 119 BPM | ||
Stabat Mater in F Minor, G. 532: I. Stabat Mater dolorosa. Grave assai | Luigi Boccherini, Núria Rial, Orchester Le Phenix | C Major | 0 | 8B | 104 BPM | ||
Sonata sesta for violino solo: I. Adagio | Daniel Purcell, Théotime Langlois de Swarte, Thomas Dunford | E Minor | 0 | 9A | 100 BPM | ||
Zenobia in Palmira: Son qual nave in ria procella - From "Zenobia in Palmira" | Leonardo Leo, Simone Kermes | B♭ Major | 2 | 6B | 124 BPM | ||
Ay amor loco | Luis de Briceño, Simone Kermes, Enrico Casazza | D Major | 4 | 10B | 72 BPM | ||
Dopo l'oscuro nembo (Arie der Nelly) - from "Adelson e Salvini" | Vincenzo Bellini, Simone Kermes, Christoph M. Mueller, Christoph-Mathias Mueller, Concerto Köln | D Major | 0 | 10B | 82 BPM | ||
Kanon und Gigue | Johann Pachelbel, Jordi Savall | D Major | 2 | 10B | 76 BPM |