"Dopo l'oscuro nembo (Arie der Nelly) - from "Adelson e Salvini"" by Vincenzo Bellini, Simone Kermes, Christoph M. Mueller, Christoph-Mathias Mueller, Concerto Köln was released on October 21, 2013. With this song being about 5 minutes long, at 5:10, "Dopo l'oscuro nembo (Arie der Nelly) - from "Adelson e Salvini"" by Vincenzo Bellini, Simone Kermes, Christoph M. Mueller, Christoph-Mathias Mueller, Concerto Köln is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Simone Kermes: Bel Canto". In this album, this song's track order is #9. Dopo l'oscuro nembo (Arie der Nelly) - from "Adelson e Salvini" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dopo l'oscuro nembo (Arie der Nelly) - from "Adelson e Salvini" by Vincenzo Bellini, Simone Kermes, Christoph M. Mueller, Christoph-Mathias Mueller, Concerto Köln having a テンポ of 82 with a half-time of 41 テンポ and a double-time of 164 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
The music key of this track is D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma / Act 2: Mira, o Norma | Vincenzo Bellini, Joan Sutherland, Marilyn Horne, London Symphony Orchestra, Richard Bonynge | F Major | 1 | 7B | 170 BPM | ||
Roméo et Juliette, 'Romeo and Juliet' (1997 Digital Remaster): Je veux vivre (Waltz) | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | F Major | 2 | 7B | 81 BPM | ||
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | ||
Puccini: La bohème, Act 1: "O soave fanciulla" (Rodolfo, Mimì) | Giacomo Puccini, James Conlon, Barbara Hendricks, José Carreras, Orchestre National De France | D♭ Minor | 2 | 12A | 168 BPM | ||
Norma / Act 1: Perfido! | Vincenzo Bellini, Dame Joan Sutherland, Luciano Pavarotti, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard Bonynge | E♭ Major | 2 | 5B | 82 BPM | ||
Norma / Act 1: Casta Diva | Vincenzo Bellini, Anna Netrebko, SWR Symphony Orchestra, Marco Armiliato | F Major | 1 | 7B | 85 BPM | ||
Act I: Glück, das mir verblieb (Marietta's Lied) | Erich Wolfgang Korngold, Leontyne Price, Nello Santi | B♭ Major | 2 | 6B | 78 BPM | ||
Lohengrin, WWV 75 / Act III: "Treulich geführt ziehet dahin" | Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 75 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Contes d'Hoffmann: Les oiseaux dans la charnille | Jacques Offenbach, Olga Peretyatko, Miguel Gomez-Martinez | B♭ Major | 2 | 6B | 96 BPM |