On January 1, 1982, the song "The Fairy Queen, Z. 629 / Act 2: "Hush, no more"" was released by Henry Purcell, Stephen Varcoe, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir. The duration of The Fairy Queen, Z. 629 / Act 2: "Hush, no more" is about 3 minutes long, at 3:19. Based on our data, "The Fairy Queen, Z. 629 / Act 2: "Hush, no more"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 61 in the song's album "Purcell: The Fairy Queen". In this album, this song's track order is #19. Furthermore, we believe that the track originated from Germany. Based on our statistics, The Fairy Queen, Z. 629 / Act 2: "Hush, no more"'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With The Fairy Queen, Z. 629 / Act 2: "Hush, no more" by Henry Purcell, Stephen Varcoe, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir having a テンポ of 135 with a half-time of 68 テンポ and a double-time of 270 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Orfeo, Atto secondo: III. Ahi, caso acerbo! | Claudio Monteverdi, Jordi Savall, Furio Zanasi, Sara Mingardo, Francesc Garrigosa, Carlos Mena, Le Concert Des Nations | G Major | 0 | 9B | 73 BPM | ||
Pergolesi: Salve Regina in C Minor: II. Ad te clamamus (Alto) | Giovanni Battista Pergolesi, Véronique Gens, Gérard Lesne, Il Seminario Musicale | B♭ Minor | 1 | 3A | 69 BPM | ||
Sanctus | Jacob Clemens non Papa, The Monteverdi Choir, John Eliot Gardiner | D Major | 1 | 10B | 130 BPM | ||
Matthäus-Passion, BWV 244 / Zweiter Teil: No. 60 "Sehet, Jesus hat die Hand" | Johann Sebastian Bach, Michael Chance, The Monteverdi Choir, The London Oratory Junior Choir, Patrick Russill, English Baroque Soloists, John Eliot Gardiner | A♭ Major | 0 | 4B | 86 BPM | ||
Armide Opera In 5 Acts With Prologue: Que l'éclat de son nom | Jean-Baptiste Lully, Céline Scheen, Goedele Heidbüchel, Musica Antiqua Köln, Reinhard Goebel, Ex Tempore | B Major | 3 | 1B | 180 BPM | ||
Dixit Dominus: Allegro | Antonio Vivaldi, Jane Archibald, Michele de Boer, Nils Brown, Anita Krause, Peter Mahon, Giles Tomkins, Aradia Chorus, Aradia Ensemble, Kevin Mallon | B Minor | 4 | 10A | 119 BPM | ||
Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute (Allegro) | Ludwig van Beethoven, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | D Major | 0 | 10B | 76 BPM | ||
Gloria, R. 589: Et in terra pax hominibus | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B♭ Minor | 1 | 3A | 59 BPM | ||
O Lord turn Thy wrath | The Choir of Magdalen College, Oxford, John Harper, William Byrd | D Minor | 0 | 7A | 84 BPM | ||
Burial Service: Thou knowest, Lord, the secrets of our hearts, Z. 58C | Henry Purcell, Oxford Camerata, Laurence Cummings, Jeremy Summerly | C Minor | 0 | 5A | 85 BPM |