Jean-Baptiste Lully, Céline Scheen, Goedele Heidbüchel, Musica Antiqua Köln, Reinhard Goebel, Ex Tempore made "Armide Opera In 5 Acts With Prologue: Que l'éclat de son nom" available on January 1, 2000. With Armide Opera In 5 Acts With Prologue: Que l'éclat de son nom being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel, Jacques Cordier, Michel Lambert, Robert Cambert's "Lully: Le Roi Danse - Original Motion Picture Soundtrack" album is number 34 out of 35. The popularity of Armide Opera In 5 Acts With Prologue: Que l'éclat de son nom is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Armide Opera In 5 Acts With Prologue: Que l'éclat de son nom by Jean-Baptiste Lully, Céline Scheen, Goedele Heidbüchel, Musica Antiqua Köln, Reinhard Goebel, Ex Tempore to be Presto (very, very fast) because the track has a tempo of 180 テンポ, a half-time of 90テンポ, and a double-time of 360 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell : King Arthur : Act 1 "Woden, first to thee" [Bass, Chorus] | William Christie | E♭ Major | 1 | 5B | 134 BPM | ||
Dido and Aeneas, Z. 626: Act I: Dido: Ah! Belinda, I am press'd with torment | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | E Minor | 0 | 9A | 164 BPM | ||
Orchestral Suite No. 3 in D Major, BWV 1068: 2. Air | Johann Sebastian Bach, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 1 | 11A | 139 BPM | ||
Gideon, Pt. 3: Air. Let the Trumpet's Sound Inviting | George Frideric Handel, David Cordier, Barbara Hannigan, Stephan MacLeod, Linda Perillo, Knut Schoch, Nicola Wemyss, Junge Kantorei, Barockorchester Frankfurt, Joachim Carlos Martini | D Major | 1 | 10B | 77 BPM | ||
Abdelazer, Z.570: Air - Jig - Hornpipe - Air | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 2 | 11A | 172 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Major | 1 | 1B | 64 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : VI. Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Daniela Ruso, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 126 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": II. Moderato e dolce | William Boyce, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 80 BPM | ||
Messe in H-moll, BWV 232: Kyrie eleison I | La Capella Reial De Catalunya | B♭ Minor | 2 | 3A | 133 BPM | ||
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM |