"Miserere in C Minor Psalm 50, ZWV. 57" by Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht was released on October 31, 2012. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Zelenka: De Profundis, Misere & Requiem by Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monkia Frimmer, Peter de Groot, Ian Honeyman, Peter Kooij, Paul Dombrecht. The song's track number on the album is #4 out of 31 tracks. Miserere in C Minor Psalm 50, ZWV. 57 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Miserere in C Minor Psalm 50, ZWV. 57 by Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht has a tempo of 64 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Miserere in C Minor Psalm 50, ZWV. 57 being at 64 テンポ, the half-time would be 32 テンポ with a double-time of 128 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sosarme, HWV 30: Act II, Duetto, "Per le porte del tormento" | George Frideric Handel, Bejun Mehta, Rosemary Joshua, René Jacobs | E♭ Major | 2 | 5B | 84 BPM | ||
Suite No. 2 in B Minor, BWV 1067: V. Polonaise (Lentement) & Double | Johann Sebastian Bach, Il Fondamento, Paul Dombrecht | A♭ Minor | 1 | 1A | 113 BPM | ||
Lauda Jerusalem (Psalm 147), R.609 | Antonio Vivaldi, Margaret Marshall, Ann Murray, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Jeffrey Tate, Alastair Ross | D Major | 3 | 10B | 105 BPM | ||
St. John Passion, BWV 245: Part II: Chorale: Ruht wohl, ihr heiligen Gebeine (Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 1 | 10A | 132 BPM | ||
Dido and Aeneas, Z. 626, Act III: "Thy Hand, Belinda...When I Am Laid in Earth" | Henry Purcell, Anna Prohaska, Il Giardino Armonico, Giovanni Antonini | B Minor | 0 | 10A | 71 BPM | ||
Vivaldi: Gloria in D Major, RV 589: VII. Dominie Fili Unigenite | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | E Major | 3 | 12B | 135 BPM | ||
Requiem: Requiem: I. Introitus. Requiem aeternam. II. Kyrie | Johann Christian Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | F Major | 2 | 7B | 83 BPM | ||
Miserere in C minor: Sicut erat | Thomas Hengelbrock | E Major | 1 | 12B | 102 BPM | ||
L'Orfeo, Favola in Musica (Opera en 5 Actes), SV 318 - Acte I, scène 2: Dal Mio Permesso Amato | Claudio Monteverdi, Rinaldo Alessandrini, Concerto Italiano, Monica Piccinini | G Major | 1 | 9B | 172 BPM | ||
Requeim in C Minor, ZWV. 48 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | E Major | 1 | 12B | 118 BPM |