"Requiem: Requiem: I. Introitus. Requiem aeternam. II. Kyrie" by Johann Christian Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann was released on October 25, 2011. Requiem: Requiem: I. Introitus. Requiem aeternam. II. Kyrie is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. The track order of this song in Johann Christian Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann's "Johann Christian Bach: Requiem" album is number 1 out of 22. Requiem: Requiem: I. Introitus. Requiem aeternam. II. Kyrie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem: Requiem: I. Introitus. Requiem aeternam. II. Kyrie by Johann Christian Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Artaserse (added aria by Johann Adolf Hasse) : "Or la nube procellosa" | Nicola Porpora, Akademie für Alte Musik Berlin, René Jacobs, Vivica Genaux | A♭ Major | 2 | 4B | 101 BPM | ||
Membra Jesu Nostri, BuxWV 75: Ad pedes. Ecce super montes | Dietrich Buxtehude, Cantus Cölln, Konrad Junghanel | C Minor | 0 | 5A | 116 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: VII. Selig sind die Toten | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | F Major | 1 | 7B | 134 BPM | ||
Missa In Angustiis "Nelson Mass", Hob. XXII:11 in D Minor: Sanctus | Franz Joseph Haydn, Felicity Lott, Carolyn Watkinson, Maldwyn Davies, David Wilson-Johnson, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir | D♭ Major | 1 | 3B | 121 BPM | ||
Croesus: ACT III, Scene 13, "Solon, weiser Solon, ach!" (Croesus) | Reinhard Keiser, René Jacobs, Akademie für Alte Musik Berlin, Roman Trekel | E♭ Major | 1 | 5B | 65 BPM | ||
Orfeo ed Euridice: Act II, Scene 2, Orfeo: Che puro ciel! | Christoph Willibald Gluck, Bernarda Fink, René Jacobs, Freiburger Barockorchester | G Major | 0 | 9B | 139 BPM | ||
Mass No. 4 in C Major, Op. 48, D. 452: Kyrie | Franz Schubert, Claudia Reinhard, Christine Wehler, Raimund Minarschik, Tobias Berndt, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM | ||
Missa In Angustiis "Nelson Mass", Hob. XXII:11 In D Minor: Benedictus | Franz Joseph Haydn, Felicity Lott, Carolyn Watkinson, Maldwyn Davies, David Wilson-Johnson, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir | D Minor | 1 | 7A | 98 BPM | ||
Missa Dei Filii, ZWV 20: Kyrie eleison (Coro) | Jan Dismas Zelenka, Frieder Bernius | A♭ Major | 0 | 4B | 83 BPM | ||
Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Offertorium: Domine Jesu | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | G Minor | 1 | 6A | 83 BPM |