"Membra Jesu Nostri, BuxWV 75: Ad pedes. Ecce super montes" by Dietrich Buxtehude, Cantus Cölln, Konrad Junghanel was released on May 26, 2005. Since Membra Jesu Nostri, BuxWV 75: Ad pedes. Ecce super montes is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 8 in Buxtehude: Membra Jesu Nostri by Dietrich Buxtehude, Cantus Cölln, Konrad Junghanel. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Membra Jesu Nostri, BuxWV 75: Ad pedes. Ecce super montes is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Membra Jesu Nostri, BuxWV 75: Ad pedes. Ecce super montes by Dietrich Buxtehude, Cantus Cölln, Konrad Junghanel is Moderato (at a moderate speed), since this song has a tempo of 116 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pergolesi: Confitebor: VII. Sicut erat | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | B Major | 3 | 1B | 69 BPM | ||
Stabat Mater: I. Stabat Mater dolorosa | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | D♭ Major | 1 | 3B | 126 BPM | ||
O fröhliche Stunden, o fröhliche Zeit, BuxWV 84 | Dietrich Buxtehude, Ton Koopman, Verena Gropper, Amsterdam Baroque Orchestra & Choir | G Minor | 1 | 6A | 69 BPM | ||
Missa Papae Marcelli: Gloria | Giovanni Pierluigi da Palestrina, Sistine Chapel Choir, Massimo Palombella | A Major | 1 | 11B | 140 BPM | ||
Vespro della Beata Virgine - Arr. Philip Pickett: Versiculum: Deus in adiutorium | Claudio Monteverdi, Philip Pickett, Catherine Bott, Tessa Bonner, Christopher Robson, John Mark Ainsley, Michael George, New London Consort | F Major | 2 | 7B | 76 BPM | ||
Sant'Agnese: Vaga rosa (Aria) | Bernardo Pasquini, Núria Rial | D♭ Minor | 0 | 12A | 77 BPM | ||
Dixit Dominus, HWV 232: Dominus a dextris tuis | George Frideric Handel, Charles Humphries, Gill Ross, Donna Deam, Robert Burt, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Minor | 2 | 12A | 146 BPM | ||
Stabat Mater: Vidit suum dulcem Natum | Agostino Steffani, Salvo Vitale, I Barocchisti, Diego Fasolis | G Minor | 1 | 6A | 34 BPM | ||
Ich ruf zu dir, Herr Jesu Christ, BuxWV 196 | Dietrich Buxtehude, Bine Katrine Bryndorf | G Minor | 1 | 6A | 69 BPM | ||
Mass for 3 Voices: IV. Sanctus | William Byrd, Pro Arte Singers, Paul Hillier | B Minor | 0 | 10A | 83 BPM |