Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti made "Pergolesi: Confitebor: VII. Sicut erat" available on October 28, 2013. The duration of Pergolesi: Confitebor: VII. Sicut erat is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Pergolesi: Confitebor: VII. Sicut erat's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Pergolesi: Stabat Mater, Laudate pueri & Confitebor". In this album, this song's track order is #26. Pergolesi: Confitebor: VII. Sicut erat is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Pergolesi: Confitebor: VII. Sicut erat by Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti having a テンポ of 69 with a half-time of 34 テンポ and a double-time of 138 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 48: III. Offertoire | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | D Major | 1 | 10B | 76 BPM | ||
Stabat Mater: II. Cujus animam gementem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Basciami Mille Volte a 5 Voci | Luca Marenzio, Rinaldo Alessandrini, Concerto Italiano | G Minor | 1 | 6A | 81 BPM | ||
Vinci: Artaserse, Act 1: "Bramar di perdere troppo affetto" (Semira) | Leonardo Vinci, Diego Fasolis, Philippe Jaroussky, Max Emanuel Cenčić, Franco Fagioli, Valer Barna-Sabadus, I Barocchisti, Yuriy Mynenko, Daniel Behle, Concerto Köln | A♭ Major | 1 | 4B | 76 BPM | ||
Schubert: 4 Lieder, Op. 59: No. 3, Du bist die Ruh, D. 776 | Franz Schubert, Philippe Jaroussky, Jerome Ducros | F♯ Major | 3 | 2B | 95 BPM | ||
Vinci: Artaserse, Act 1: "Vo solcando un mar crudel" (Arbace) | Leonardo Vinci, Diego Fasolis, Philippe Jaroussky, Max Emanuel Cenčić, Franco Fagioli, Valer Barna-Sabadus, I Barocchisti, Yuriy Mynenko, Daniel Behle, Concerto Köln | D♭ Major | 3 | 3B | 83 BPM | ||
Rameau: Les Indes Galantes: "Viens, Hymen" (Phani) | Jean-Philippe Rameau, Alexis Kossenko, Les Ambassadeurs | F♯ Major | 0 | 2B | 86 BPM | ||
Membra Jesu nostri, BuxWV 75: Vd. Ad pectus: Ave, verum templum Dei | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
Vinci: Artaserse, Act 3: "Nuvoletta opposta al sole" (Artaserse) | Leonardo Vinci, Diego Fasolis, Philippe Jaroussky, Max Emanuel Cenčić, Franco Fagioli, Valer Barna-Sabadus, I Barocchisti, Yuriy Mynenko, Daniel Behle, Concerto Köln | D♭ Major | 3 | 3B | 125 BPM | ||
Ferré / Transc Ducros: Colloque sentimental | Léo Ferré, Philippe Jaroussky, Jerome Ducros, Quatuor Ébène | D Minor | 1 | 7A | 116 BPM |