"O fröhliche Stunden, o fröhliche Zeit, BuxWV 84" by Dietrich Buxtehude, Ton Koopman, Verena Gropper, Amsterdam Baroque Orchestra & Choir was released on October 10, 2014. O fröhliche Stunden, o fröhliche Zeit, BuxWV 84 is about six minutes long, preciously at 5:58, making this song fairly long compared to other songs. There are a total of 19 in the song's album "Opera Omnia XX - Vocal Works 10". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Netherlands. O fröhliche Stunden, o fröhliche Zeit, BuxWV 84 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With O fröhliche Stunden, o fröhliche Zeit, BuxWV 84 by Dietrich Buxtehude, Ton Koopman, Verena Gropper, Amsterdam Baroque Orchestra & Choir having a テンポ of 69 with a half-time of 34 テンポ and a double-time of 138 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gott hilf mir, denn das Wasser geht mir bis an die Seele, BuxWV 34: IV. Israel hoffe auf den Herren! / Wer hofft in Gott und dem Vertraut | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Ensemble Masques, Olivier Fortin | C Minor | 2 | 5A | 88 BPM | ||
Membra Jesu nostri, BuxWV 75: IIId. Ad manus: In cruore tuo lotum | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
The Indian Queen, Z. 630 / Act III: Rondeau | Henry Purcell, Notturna, Christopher Palameta | A♭ Major | 2 | 4B | 124 BPM | ||
Concerto Grosso No. 3 in D Minor (after D. Scarlatti): I. Largo andante | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Major | 1 | 3B | 96 BPM | ||
Rameau: Pièces de clavecin (1724), Suite in D Major, RCT 3: No. 1 Les Tendres Plaintes - Rondeau | Jean-Philippe Rameau, Jean Rondeau | C Minor | 3 | 5A | 87 BPM | ||
Sonate für 2 Violinen, Viola da gamba und Basso contui | Andreas Oswald, Capella Jenensis | E♭ Minor | 0 | 2A | 89 BPM | ||
Couperin: L'art de toucher le clavecin: Premier prélude | François Couperin, Gustav Leonhardt | A♭ Major | 0 | 4B | 69 BPM | ||
Requiem, Kyrie: III. Kyrie eleison | Niccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi | E♭ Major | 1 | 5B | 116 BPM | ||
San Giovanni Battista: Overture | Alessandro Stradella, Nereydas, Javier Ulises Illán | D Major | 2 | 10B | 61 BPM | ||
Concerto in D Minor; Op. 6 No. 5: IV. Allegro | Charles Avison, Café Zimmermann | D♭ Minor | 4 | 12A | 100 BPM |