"Dido and Aeneas, Z. 626, Act III: "Thy Hand, Belinda...When I Am Laid in Earth"" by Henry Purcell, Anna Prohaska, Il Giardino Armonico, Giovanni Antonini was released on September 1, 2016. With this song being about 5 minutes long, at 4:37, "Dido and Aeneas, Z. 626, Act III: "Thy Hand, Belinda...When I Am Laid in Earth"" by Henry Purcell, Anna Prohaska, Il Giardino Armonico, Giovanni Antonini is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 22 in the song's album "Serpent & Fire: Arias for Dido & Cleopatra". In this album, this song's track order is #22. Furthermore, we believe that the track originated from France. Dido and Aeneas, Z. 626, Act III: "Thy Hand, Belinda...When I Am Laid in Earth" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dido and Aeneas, Z. 626, Act III: "Thy Hand, Belinda...When I Am Laid in Earth" by Henry Purcell, Anna Prohaska, Il Giardino Armonico, Giovanni Antonini having a テンポ of 71 with a half-time of 36 テンポ and a double-time of 142 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Exsultate, jubilate, K.165: 1. Exsultate, jubilate | Wolfgang Amadeus Mozart, Julia Lezhneva, Il Giardino Armonico, Giovanni Antonini | G Major | 1 | 9B | 105 BPM | ||
Concerto Grosso in C Minor, Op. 1 No. 11: I. Largo | Pietro Locatelli, Isabelle Faust, Il Giardino Armonico, Giovanni Antonini | C Minor | 1 | 5A | 127 BPM | ||
Merula : Ciaccona | Tarquinio Merula, Il Giardino Armonico | D♭ Major | 2 | 3B | 96 BPM | ||
Ode for Saint Cecilia's Day, HWV76: "What Passion Cannot Music Raise and Quell" | George Frideric Handel, Cecilia Bartoli, Sol Gabetta, Cappella Gabetta, Andrés Gabetta | F♯ Major | 1 | 2B | 81 BPM | ||
Hail! bright Cecilia!: Hail! bright Cecilia!: VIII. Wondrous Machine! | Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent, Jonathan Arnold | D♭ Major | 1 | 3B | 73 BPM | ||
Great Mass in C Minor, K. 427: I. Andante Moderato (Kyrie) | Wolfgang Amadeus Mozart, Accentus, La Chambre Philharmonique, Emmanuel Krivine | F Major | 1 | 7B | 131 BPM | ||
Biber : Battalia in D major : V Presto | Heinrich Ignaz Franz von Biber, Il Giardino Armonico | A♭ Major | 1 | 4B | 132 BPM | ||
Stabat Mater: Stabat Mater: I. Stabat mater dolorosa | Francis Poulenc, Cappella Amsterdam, Estonian National Symphony Orchestra, Estonian Philharmonic Chamber Choir, Daniel Reuss | A Minor | 1 | 8A | 135 BPM | ||
Scarlatti, Alessandro : Sonata for Recorder & 2 Violins in A minor : III Fuga | Alessandro Scarlatti, Il Giardino Armonico, Giovanni Antonini | A♭ Minor | 1 | 1A | 106 BPM | ||
Dido & Aeneas: Dido & Aeneas: Act I, Overture | Henry Purcell, Orchestra of the Age of Enlightenment, René Jacobs | B Minor | 2 | 10A | 94 BPM |