Wolfgang Amadeus Mozart, Julia Lezhneva, Il Giardino Armonico, Giovanni Antonini made "Exsultate, jubilate, K.165: 1. Exsultate, jubilate" available on January 1, 2013. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 15 out of 18 in Alleluia by Julia Lezhneva, Il Giardino Armonico, Giovanni Antonini. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Exsultate, jubilate, K.165: 1. Exsultate, jubilate is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Exsultate, jubilate, K.165: 1. Exsultate, jubilate by Wolfgang Amadeus Mozart, Julia Lezhneva, Il Giardino Armonico, Giovanni Antonini is Andante (at a walking pace), since this song has a tempo of 105 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serse / Act 1, HWV 40: "Ombra mai fu" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 175 BPM | ||
Missa brevis in C Major, K. 220: II. Gloria | Wolfgang Amadeus Mozart, Jens Wollenschläger, Petra Labitzke, Barbara Werner, Daniel Sans, Christoph Fischesser, Kurpfälzisches Kammerochester Mannheim, Chamber Choir Of Europe, Nicol Matt | G Major | 1 | 9B | 73 BPM | ||
Tosca / Act II: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E♭ Major | 1 | 5B | 82 BPM | ||
St. Matthew Passion, BWV 244 - Part One: 1. Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | E Minor | 3 | 9A | 139 BPM | ||
Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 1 | 7B | 67 BPM | ||
La Cenerentola / Act 2: "Non più mesta" | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Alessandro Corbelli, Enzo Dara, Michele Pertusi, Fernanda Costa, Gloria Banditelli, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E Major | 3 | 12B | 137 BPM | ||
Requiem In D Minor, K. 626: Offertory: I. Domine Jesu Christe | Slovak Philharmonic, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Jozef Kundlák, Jaroslava Horska, Wolfgang Amadeus Mozart | G Minor | 2 | 6A | 91 BPM | ||
Flute Concerto No. 1 in G Major, K. 313: II. Adagio non troppo | Wolfgang Amadeus Mozart, Anton Gisler, Werner Tripp, Wiener Philharmoniker, Karl Böhm | D Major | 1 | 10B | 91 BPM | ||
Mozart: Die Zauberflöte, K. 620, Act 2: "Bald prangt, den Morgen zu verkünden" (Die Knaben, Pamina) | Wolfgang Amadeus Mozart, Lucia Popp, Bernard Haitink, Bayerischer Rundfunk, Sinfonie-Orchester Des Bayerischen Rundfunks | A♭ Minor | 1 | 1A | 74 BPM | ||
Cavalleria Rusticana: "Regina coeli laetare" | Pietro Mascagni, Elina Garanca, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon, Latvian Radio Choir, Opernchor Saarbrücken | G Major | 2 | 9B | 86 BPM |