Wolfgang Amadeus Mozart, Lucia Popp, Bernard Haitink, Bayerischer Rundfunk, Sinfonie-Orchester Des Bayerischen Rundfunks's 'Mozart: Die Zauberflöte, K. 620, Act 2: "Bald prangt, den Morgen zu verkünden" (Die Knaben, Pamina)' came out on 1981. Mozart: Die Zauberflöte, K. 620, Act 2: "Bald prangt, den Morgen zu verkünden" (Die Knaben, Pamina) is about six minutes long, preciously at 5:55, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Bernard Haitink, Bavarian Radio Symphony Orchestra's "Mozart - Die Zauberflöte" album is number 1 out of 59. On top of that, United Kingdom appears to be the country where this track was created. Mozart: Die Zauberflöte, K. 620, Act 2: "Bald prangt, den Morgen zu verkünden" (Die Knaben, Pamina) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Die Zauberflöte, K. 620, Act 2: "Bald prangt, den Morgen zu verkünden" (Die Knaben, Pamina) by Wolfgang Amadeus Mozart, Lucia Popp, Bernard Haitink, Bayerischer Rundfunk, Sinfonie-Orchester Des Bayerischen Rundfunks to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Mass in C Minor, K. 427 "Grosse Messe" (Version by Franz Beyer): Gloria: Domine Deus - Live | Wolfgang Amadeus Mozart, Arleen Auger, Frederica von Stade, Bavarian Radio Symphony Orchestra, Leonard Bernstein | G Minor | 1 | 6A | 113 BPM | ||
Der Freischütz, J. 277 / Act 2: "Wie nahte mir der Schlummer" - "Leise, leise, fromme Weise!" | Carl Maria von Weber, Gundula Janowitz, Staatskapelle Dresden, Carlos Kleiber | E Minor | 1 | 9A | 96 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act I Scene 4: Aria - Nos So Piu Cosa Son | Donato Di Stefano, Patrizia Pace, Roberto Frontali, Maria Pia Ionata, Hungarian State Opera Orchestra, Ingrid Kertesi, Natale de Carolis, Jozsef Mukk, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | E♭ Major | 1 | 5B | 100 BPM | ||
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM | ||
La Traviata / Act 2: "Ah! Dite alla giovine" | Giuseppe Verdi, Ileana Cotrubas, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber | E♭ Major | 1 | 5B | 89 BPM | ||
Zar und Zimmermann: Die Eifersucht ist eine Plage | Lucia Popp, Adalbert Kraus, Munchener Rundfunkorchester, Heinz Wallberg | G Major | 1 | 9B | 139 BPM | ||
The Magic Flute, K. 620: Dies Bildnis ist bezaubernd schön | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud Winsauer | E♭ Major | 1 | 5B | 79 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act IV Scene 8: Recitativo - Tutto E Disposto | Donato Di Stefano, Patrizia Pace, Maria Pia Ionata, Jozsef Mukk, Hungarian State Opera Orchestra, Roberto Frontali, Ingrid Kertesi, Natale de Carolis, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | B♭ Major | 1 | 6B | 171 BPM | ||
Die Fledermaus / Act 3: Dialog: Herr Direktor! | Johann Strauss II, Franz Muxeneder, Lucia Popp, Benno Kusche, Hermann Prey, Ferry Gruber, Julia Varady | D♭ Major | 2 | 3B | 129 BPM | ||
Le nozze di Figaro, K.492 / Act 4: “Gente, gente, all’armi, all’armi” | Wolfgang Amadeus Mozart, Thomas Hampson, Luca Pisaroni, Rolando Villazón, Philippe Sly, Christiane Karg, Sonya Yoncheva, Vocalensemble Rastatt, Jory Vinikour, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Major | 1 | 9B | 90 BPM |