"Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act I Scene 4: Aria - Nos So Piu Cosa Son" by Donato Di Stefano, Patrizia Pace, Roberto Frontali, Maria Pia Ionata, Hungarian State Opera Orchestra, Ingrid Kertesi, Natale de Carolis, Jozsef Mukk, Lorenzo Da Ponte, Wolfgang Amadeus Mozart was released on January 1, 2000. The duration of Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act I Scene 4: Aria - Nos So Piu Cosa Son is about 3 minutes long, at 3:27. Based on our data, "Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act I Scene 4: Aria - Nos So Piu Cosa Son" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Donato Di Stefano's "Mozart: Le Nozze Di Figaro, ‘the Marriage Of Figaro’ (Highlights)" album is number 6 out of 23. In terms of popularity, Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act I Scene 4: Aria - Nos So Piu Cosa Son is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act I Scene 4: Aria - Nos So Piu Cosa Son by Donato Di Stefano, Patrizia Pace, Roberto Frontali, Maria Pia Ionata, Hungarian State Opera Orchestra, Ingrid Kertesi, Natale de Carolis, Jozsef Mukk, Lorenzo Da Ponte, Wolfgang Amadeus Mozart to be Andante (at a walking pace) because the track has a tempo of 100 テンポ, a half-time of 50テンポ, and a double-time of 200 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg): Act III Scene 5: Aufzug der Meistersinger | Richard Wagner, Sofia Symphony Orchestra, Vassil Kazandjiev | C Major | 2 | 8B | 94 BPM | ||
Davide penitente, K. 469: Si pur sempre benigno, oh Dio (Chorus) | Wolfgang Amadeus Mozart, Trine Wilsberg Lund, Kristina Wahlin, Lothar Odinius, Gewandhaus Chamber Choir, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D Minor | 0 | 7A | 144 BPM | ||
Mozart: Vesperae solennes de confessore, K. 339: V. Laudate Dominum | Wolfgang Amadeus Mozart, Barbara Hendricks, Academy of St Martin in the Fields Chorus, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 8 | 9B | 85 BPM | ||
Das Lied von der Erde: Das Trinklied vom Jammer der Erde | Gustav Mahler, Michael Schade, Wiener Philharmoniker, Pierre Boulez | G Minor | 2 | 6A | 78 BPM | ||
Piano Concerto No. 11 in F Major, K. 413/387a: II. Larghetto | Vestic Chamber Orchestra | E♭ Major | 0 | 5B | 91 BPM | ||
Die Zauberflöte, K. 620 / Act 1: "Schnelle Füße, rascher Mut" | Wolfgang Amadeus Mozart, Rolando Villazón, Christiane Karg, Paul Schweinester, Jory Vinikour, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Major | 2 | 9B | 141 BPM | ||
Il Medo / Act 1: Cervo in bosco | Leonardo Vinci, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | D♭ Major | 2 | 3B | 133 BPM | ||
Fidelio: Quartett - Mir ist so wunderbar | Herbert von Karajan, Berliner Philharmoniker | G Major | 2 | 9B | 85 BPM | ||
Mozart: Die Zauberflöte, K. 620, Act 2: "Alles fühlt der Liebe Freuden" (Monostatos) | Wolfgang Amadeus Mozart, Heinz Zednik/Symphonieorchester des Bayerischen Rundfunks/Bernard Haitink, Bernard Haitink, Bayerischer Rundfunk, Sinfonie-Orchester Des Bayerischen Rundfunks | G Major | 2 | 9B | 144 BPM | ||
Die Zauberflöte, K. 620, Act I: "Der Vogelfänger bin ich ja" | Teddy Tahu Rhodes, Tasmanian Symphony Orchestra, Ola Rudner | G Major | 1 | 9B | 129 BPM |