"Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg): Act III Scene 5: Aufzug der Meistersinger" by Richard Wagner, Sofia Symphony Orchestra, Vassil Kazandjiev was released on January 1, 1989. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wagner, R.: Orchestral Music From Operas by Richard Wagner, Vassil Kazandjiev, György Lehel, Yuri Ahronovitch. The song's track number on the album is #8 out of 10 tracks. In terms of popularity, Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg): Act III Scene 5: Aufzug der Meistersinger is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg): Act III Scene 5: Aufzug der Meistersinger by Richard Wagner, Sofia Symphony Orchestra, Vassil Kazandjiev has a tempo of 94 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg): Act III Scene 5: Aufzug der Meistersinger being at 94 テンポ, the half-time would be 47 テンポ with a double-time of 188 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elgar: Pomp and Circumstance, Op. 39: III. March No. 3 in C Minor (Con fuoco - Vivace - Cantabile) | Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult | B♭ Minor | 2 | 3A | 71 BPM | ||
Siegfried, WWV 86C, Act III: Ewig war ich, ewig bin ich | Richard Wagner, Simon O'Neill, Heidi Melton, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | C Major | 3 | 8B | 65 BPM | ||
Klavier-Quintett, A-Dur, op. 114, D 667: Andante | Caspar Da Salo Quintett | C Major | 0 | 8B | 104 BPM | ||
Pomp and Circumstance Marches, Op. 39: March No. 4 in G Major | Edward Elgar, London Philharmonic Orchestra, Sir Georg Solti | G Major | 3 | 9B | 118 BPM | ||
Cello Concerto in A Minor, Op. 129: III. Sehr lebhaft | Robert Schumann, Yo-Yo Ma, Sir Colin Davis, Bavarian Radio Symphony Orchestra | C Major | 1 | 8B | 128 BPM | ||
Mozart: Symphony No. 40 in G Minor, K. 550: II. Andante | Wolfgang Amadeus Mozart, Yehudi Menuhin, Sinfonia Varsovia | E♭ Major | 0 | 5B | 101 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 20 (orch. A. Dvorak) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | E Minor | 1 | 9A | 77 BPM | ||
Cello Concerto in E minor Op. 85 - I. Adagio-Moderato (opening) | Norman Del Mar, London Philharmonic Orchestra, Robert Cohen | E Minor | 0 | 9A | 63 BPM | ||
Violin Concerto in D Minor, MWV O3: III. Allegro | Felix Mendelssohn, Tianwa Yang, Sinfonia Finlandia Jyvaskyla, Patrick Gallois | D Minor | 2 | 7A | 161 BPM | ||
Carnival of the Animals, R. 125: X. Birds | Camille Saint-Saëns, Marylene Dosse, Annie Petit, Württembergisches Kammerorchester Heilbronn, Jörg Faerber | C Minor | 2 | 5A | 79 BPM |