"Quis Est Homo" by Andreas Scholl was released on November 1, 2010. With Quis Est Homo being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Andreas Scholl's "Marco Rosano: Stabat Mater" album is number 3 out of 13. On top of that, Turks and Caicos Islands appears to be the country where this track was created. The popularity of Quis Est Homo is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Quis Est Homo by Andreas Scholl to be Presto (very, very fast) because the track has a tempo of 180 テンポ, a half-time of 90テンポ, and a double-time of 360 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Motet Jesu Meine Freude (Bwv 227) | Musica Amphion, Gesualdo Consort Amsterdam | E♭ Minor | 1 | 2A | 80 BPM | ||
Maddalena ai piedi di Cristo: No. 11 Recitativo Amor Celeste "Maddalena, nel cielo fissa lo sguardo" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Andreas Scholl | B♭ Minor | 1 | 3A | 99 BPM | ||
L'incoronazione di Poppea, SV 308 / Act 3: Pur ti miro | Claudio Monteverdi, Magdalena Kozená, Anna Prohaska, La Cetra Barockorchester Basel, Andrea Marcon | G Major | 0 | 9B | 78 BPM | ||
Viola da Gamba Suite in D Minor: V. Allegro | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 77 BPM | ||
Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: III. [Passacaglia] | Dietrich Buxtehude, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Wonner | A♭ Minor | 3 | 1A | 73 BPM | ||
Sonata a 4 in F minor, Op.1: No.4, "Imitatio in Salve Regina mater misericordiæ": in C Minor: II. Adagio | Angelo Ragazzi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Cavalli: La Calisto, Act 2: "Erme e solinghe cime ... Lucidissima face" (Endimione) | Francesco Cavalli, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | D♭ Minor | 1 | 12A | 100 BPM | ||
Klag-Lied "Muß der Tod denn auch entbinden" from "Fried- und freudenreiche Hinfahrt", BuxWV 76 | Dietrich Buxtehude, Andreas Scholl, Concerto di Viole, Basel Consort | D♭ Minor | 1 | 12A | 90 BPM | ||
Alcidiane: Petite Chaconne | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 150 BPM | ||
Salve Regina in F minor: 3. Eia ergo, advocata nostra | Giovanni Battista Pergolesi, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | F♯ Minor | 2 | 11A | 78 BPM |